Sam Francis

Untitled, 1984

106.7 X 73 inch

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Eau-forte XXXII

Pierre SOULAGES | Eau-forte n°1 | Etching available for sale on composition gallery
Beginning with splash and dribbled painting techniques, which mirrored the 1950's Abstract Expressionist American School, Pierre Soulages has built a remarkable body of work, centred around his attraction for the transfiguration of light and colour. For Soulages, these two elements constitute a theoretical plane of inve Read More
Artwork Copyright © Pierre Soulages

Eau-forte n°1, 1952

form
Medium

Signed and numbered by the artist - catalogue BN1

Beginning with splash and dribbled painting techniques, which mirrored the 1950's Abstract Expressionist American School, Pierre Soulages has built a remarkable body of work, centred around his attraction for the transfiguration of light and colour. For Soulages, these two elements constitute a theoretical plane of inve Read More
Artwork Copyright © Pierre Soulages

Pierre Soulages

Eau-forte XX, 1972

Limited Edition Print

Etching

EUR 39,500

Pierre Soulages

Sérigraphie N°2, 1973

Limited Edition Print

Serigraph

EUR 18,500 - 22,000

Pierre Soulages

Eau-Forte IX, 1957

Limited Edition Print

Etching

Currently Not Available

Pierre Soulages

Eau-forte N°1, 1952

Limited Edition Print

Etching

Currently Not Available

Pierre Soulages

Eau-forte XXXII, 1974

Limited Edition Print

Etching

Currently Not Available

Pierre Soulages

Lithographie N°14, 1964

Limited Edition Print

Lithograph

Currently Not Available

Pierre Soulages

Lithographie 27, 1969

Limited Edition Print

Lithograph

Currently Not Available

Pierre Soulages

Lithographie N° 9, 1959

Limited Edition Print

Lithograph

Currently Not Available

Pierre Soulages

Eau Forte XXIV , 1973

Limited Edition Print

Etching And Aquatint

Currently Not Available

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What is Hard Edge Art?

Hard Edge art is a style of abstract painting which became popular in the 1960s. It included areas of color differentiated by the use of crisp, sharp edges which are precisely painted with geometric precision. Jules Langster described the art as hard-edge painting.

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