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Multiple mosaic mounted on fiberglass. - Signed and numbered by the artist on a copper plate on the back. // Vortice by Piero Dorazio, created in 1989, is a vibrant mosaic mounted on fiberglass that features a dynamic spiral design. The artwork consists of small, colorful tesserae arranged in a swirling pattern, moving from the center outward, creating a sense of motion and depth. The spiral is composed of vibrant hues—reds, pinks, oranges, and whites—set against a deep blue background. This contrast between the bright, energetic colors and the rich blue backdrop intensifies the visual impact of the piece, drawing the viewer into the vortex-like composition. The mosaic’s textural quality, enhanced by the reflective surfaces of the tesserae, adds an additional layer of complexity and movement to the artwork. Signed and numbered by the artist on a copper plate on the back, this work exemplifies Dorazio’s fascination with abstraction and movement.
Vortice, 1989
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30 x 30 X 5 cm
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Details
Artist
Styles
Multiple mosaic mounted on fiberglass. - Signed and numbered by the artist on a copper plate on the back. // Vortice by Piero Dorazio, created in 1989, is a vibrant mosaic mounted on fiberglass that features a dynamic spiral design. The artwork consists of small, colorful tesserae arranged in a swirling pattern, moving from the center outward, creating a sense of motion and depth. The spiral is composed of vibrant hues—reds, pinks, oranges, and whites—set against a deep blue background. This contrast between the bright, energetic colors and the rich blue backdrop intensifies the visual impact of the piece, drawing the viewer into the vortex-like composition. The mosaic’s textural quality, enhanced by the reflective surfaces of the tesserae, adds an additional layer of complexity and movement to the artwork. Signed and numbered by the artist on a copper plate on the back, this work exemplifies Dorazio’s fascination with abstraction and movement.
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What is geometric abstract art?
Geometric abstraction is a form of abstract art that uses geometric shapes arranged in a non-illusionistic space (though not always) and combined into non-representational (non-objective) compositions. Based on years of artistic research, some artists have proposed that geometric abstraction offers a solution to modern challenges by rejecting traditional illusionistic practices in favor of clarity and simplicity.
