Sam Francis

Untitled, 1984

106.7 X 73 inch

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Vortice

Piero Dorazio Untitled Chromatic Ribbons 1971 etching with vibrant interwoven bands of red, blue, yellow, and green forming dynamic abstract pattern

Hand-signed, numbered, and dated. Untitled (Chromatic Ribbons) (1971) by Piero Dorazio is a vibrant etching that exemplifies the Italian artist’s signature style of rhythmic abstraction and chromatic harmony. The composition is dominated by a series of interweaving bands in bold, saturated colors—red, yellow, blue, green, and violet—arranged in a dynamic, almost musical pattern. Each band contains internal textures and tonal variations, suggesting movement and depth within the two-dimensional plane. Dorazio, a key figure in European postwar abstraction, was influenced by both American color field painting and Italian Futurism, and this piece reflects those inspirations in its energetic interplay of color and form. The overlapping arcs and transparent layering convey a sense of optical vibration and fluidity, reinforcing the artist’s interest in light, rhythm, and the visual experience. Hand-signed, dated, and numbered in an edition of 65, this print captures Dorazio’s unique ability to evoke movement and emotion through purely abstract means.

Artwork Copyright © Piero Dorazio

Untitled (Chromatic Ribbons), 1971

form

Medium

Edition

Hand-signed, numbered, and dated. Untitled (Chromatic Ribbons) (1971) by Piero Dorazio is a vibrant etching that exemplifies the Italian artist’s signature style of rhythmic abstraction and chromatic harmony. The composition is dominated by a series of interweaving bands in bold, saturated colors—red, yellow, blue, green, and violet—arranged in a dynamic, almost musical pattern. Each band contains internal textures and tonal variations, suggesting movement and depth within the two-dimensional plane. Dorazio, a key figure in European postwar abstraction, was influenced by both American color field painting and Italian Futurism, and this piece reflects those inspirations in its energetic interplay of color and form. The overlapping arcs and transparent layering convey a sense of optical vibration and fluidity, reinforcing the artist’s interest in light, rhythm, and the visual experience. Hand-signed, dated, and numbered in an edition of 65, this print captures Dorazio’s unique ability to evoke movement and emotion through purely abstract means.

Artwork Copyright © Piero Dorazio

Piero Dorazio

Untitled (Chromatic Ribbons), 1971

Limited Edition Print

Etching

EUR 990

Piero Dorazio

Vortice, 1989

Sculpture / Object

Mosaic

EUR 2,000

Piero Dorazio

Felt Collage, 1974

Limited Edition Print

Collage

EUR 6,875

Piero Dorazio

Untitled (Collage), 1974

Limited Edition Print

Collage

EUR 6,875

Piero Dorazio

Blue Lines, 1988

Limited Edition Print

Silkscreen

EUR 4,250

Piero Dorazio

Color Fax 4, 1990

Limited Edition Print

Aquatint

EUR 2,250

Piero Dorazio

Color Fax 3, 1990

Limited Edition Print

Aquatint

EUR 2,250

Piero Dorazio

Color Fax 2, 1990

Limited Edition Print

Aquatint

EUR 2,250

Piero Dorazio

Color Fax 1, 1990

Limited Edition Print

Aquatint

EUR 2,250

Piero Dorazio

Red Squares, 1967

Limited Edition Print

Lithograph

EUR 1,375

Piero Dorazio

Untitled Composition, 1967

Limited Edition Print

Lithograph

EUR 1,375

Piero Dorazio

Collage Di Triangoli, 1991

Limited Edition Print

Collage

EUR 2,370

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What is constructivism?

Constructivism is an architectural and artistic philosophy of Russian origin that emerged as a rejection of the idea of autonomous art. The movement advocated for art to serve practical social purposes. Since its inception in 1919, Constructivism has evolved and significantly impacted 20th-century art movements, influencing major trends such as De Stijl and Bauhaus.

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