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Watercolor on paper, mounted on masonite. Signed on Front, also Signed, Dated and inscribed on reverse. Paul Jenkins’ Untitled (1960) exemplifies his signature style of lyrical abstraction through the use of flowing watercolor. The composition is a delicate interplay of translucent layers in purples, oranges, reds, and soft whites, creating a sense of motion and spontaneity. Jenkins was known for his controlled pouring technique, guiding pigment with intuition and gravity rather than the brush, resulting in organic forms that feel both spiritual and atmospheric. This small-scale work retains his meditative, expressive power and is signed both on the front and reverse, with additional date and inscription.
Untitled, 1960
form
Medium
Size
28.6 x 21.6 cm
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- Centimeters
Edition
Price
Details
Artist
Styles
Watercolor on paper, mounted on masonite. Signed on Front, also Signed, Dated and inscribed on reverse. Paul Jenkins’ Untitled (1960) exemplifies his signature style of lyrical abstraction through the use of flowing watercolor. The composition is a delicate interplay of translucent layers in purples, oranges, reds, and soft whites, creating a sense of motion and spontaneity. Jenkins was known for his controlled pouring technique, guiding pigment with intuition and gravity rather than the brush, resulting in organic forms that feel both spiritual and atmospheric. This small-scale work retains his meditative, expressive power and is signed both on the front and reverse, with additional date and inscription.
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What is Colour Field Painting?
Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.
