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Color monoprint, on handmade TGL paper. Signed and dated in pencil. Published by Tyler Graphics, New York, and with their blindstamp. Four Winds (I) (1980) by Paul Jenkins is a striking color monoprint produced on handmade TGL paper and published by Tyler Graphics Ltd.. Known for his fluid approach to abstraction, Jenkins often allowed pigments to flow and interact organically on the paper, creating compositions that balance spontaneity with control. In this work, broad areas of luminous color—particularly the dominant yellow field—interact with bold black brush-like forms and vibrant areas of red, orange, and turquoise. The sweeping black gesture that cuts diagonally across the composition introduces movement and tension, guiding the viewer’s eye through the image. The layered pigments and irregular edges of color emphasize the physical process of the monoprint technique, in which each impression is unique. The title Four Winds suggests forces of nature or directional movement, reinforcing the dynamic energy of the composition. Jenkins frequently explored themes of flow, light, and natural phenomena, and this work reflects his interest in the expressive potential of color and gesture.
Four winds (I), 1980
form
Medium
Size
123.8 x 82.5 cm
- Inches
- Centimeters
Edition
Price
Details
Artist
Styles
Color monoprint, on handmade TGL paper. Signed and dated in pencil. Published by Tyler Graphics, New York, and with their blindstamp. Four Winds (I) (1980) by Paul Jenkins is a striking color monoprint produced on handmade TGL paper and published by Tyler Graphics Ltd.. Known for his fluid approach to abstraction, Jenkins often allowed pigments to flow and interact organically on the paper, creating compositions that balance spontaneity with control. In this work, broad areas of luminous color—particularly the dominant yellow field—interact with bold black brush-like forms and vibrant areas of red, orange, and turquoise. The sweeping black gesture that cuts diagonally across the composition introduces movement and tension, guiding the viewer’s eye through the image. The layered pigments and irregular edges of color emphasize the physical process of the monoprint technique, in which each impression is unique. The title Four Winds suggests forces of nature or directional movement, reinforcing the dynamic energy of the composition. Jenkins frequently explored themes of flow, light, and natural phenomena, and this work reflects his interest in the expressive potential of color and gesture.
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What is Tachisme?
Tachisme is a French abstract painting style that gained popularity between 1940 and 1950, often seen as the European counterpart to Abstract Expressionism. However, there are stylistic differences between the two. Tachisme, which emerged from Art Informel, rejected geometric abstraction in favor of more intuitive and spontaneous expression. It was a reaction against the structured forms of Cubism and is closely related to Informalism. Tachisme emphasizes gestural brushwork, irregular forms, and a focus on the process of painting itself.
