Sam Francis

Untitled, 1984

106.7 X 73 inch

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Phenomena Pat’s view

Paul Jenkins abstract monoprint with large yellow field, sweeping black gesture and vibrant red, orange and turquoise color areas.

Color monoprint, on handmade TGL paper. Signed and dated in pencil. Published by Tyler Graphics, New York, and with their blindstamp. Four Winds (I) (1980) by Paul Jenkins is a striking color monoprint produced on handmade TGL paper and published by Tyler Graphics Ltd.. Known for his fluid approach to abstraction, Jenkins often allowed pigments to flow and interact organically on the paper, creating compositions that balance spontaneity with control. In this work, broad areas of luminous color—particularly the dominant yellow field—interact with bold black brush-like forms and vibrant areas of red, orange, and turquoise. The sweeping black gesture that cuts diagonally across the composition introduces movement and tension, guiding the viewer’s eye through the image. The layered pigments and irregular edges of color emphasize the physical process of the monoprint technique, in which each impression is unique. The title Four Winds suggests forces of nature or directional movement, reinforcing the dynamic energy of the composition. Jenkins frequently explored themes of flow, light, and natural phenomena, and this work reflects his interest in the expressive potential of color and gesture.

Artwork Copyright © Paul Jenkins

Four winds (I), 1980

form

Medium

Edition

Color monoprint, on handmade TGL paper. Signed and dated in pencil. Published by Tyler Graphics, New York, and with their blindstamp. Four Winds (I) (1980) by Paul Jenkins is a striking color monoprint produced on handmade TGL paper and published by Tyler Graphics Ltd.. Known for his fluid approach to abstraction, Jenkins often allowed pigments to flow and interact organically on the paper, creating compositions that balance spontaneity with control. In this work, broad areas of luminous color—particularly the dominant yellow field—interact with bold black brush-like forms and vibrant areas of red, orange, and turquoise. The sweeping black gesture that cuts diagonally across the composition introduces movement and tension, guiding the viewer’s eye through the image. The layered pigments and irregular edges of color emphasize the physical process of the monoprint technique, in which each impression is unique. The title Four Winds suggests forces of nature or directional movement, reinforcing the dynamic energy of the composition. Jenkins frequently explored themes of flow, light, and natural phenomena, and this work reflects his interest in the expressive potential of color and gesture.

Artwork Copyright © Paul Jenkins

Paul Jenkins

Five Invocations III, 1997

Limited Edition Print

Lithograph

EUR 1,550

Paul Jenkins

Five Invocations II, 1997

Limited Edition Print

Lithograph

EUR 1,550

Paul Jenkins

Untitled, 1960

Drawing / Watercolor

Watercolor

Inquire For Price

Paul Jenkins

Untitled (Black Strokes), 1971

Limited Edition Print

Lithograph

USD 1,580

Paul Jenkins

Untitled (Vibrant Currents), 1972

Limited Edition Print

Lithograph

USD 3,300

Paul Jenkins

Phenomena - Katherine Wheel, 1969

Limited Edition Print

Lithograph

USD 1,450

Paul Jenkins

Phenomena Wing Cut, 1979

Painting

Oil On Canvas

USD 11,900

Paul Jenkins

Phenomeana Parcinal Imperative, 1982

Drawing / Watercolor

Watercolor

USD 11,900

Paul Jenkins

Aspects D’Amadeus Et Les Autres, 1992

Limited Edition Print

Lithograph

USD 1,350

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What is Tachisme?

Tachisme is a French abstract painting style that gained popularity between 1940 and 1950, often seen as the European counterpart to Abstract Expressionism. However, there are stylistic differences between the two. Tachisme, which emerged from Art Informel, rejected geometric abstraction in favor of more intuitive and spontaneous expression. It was a reaction against the structured forms of Cubism and is closely related to Informalism. Tachisme emphasizes gestural brushwork, irregular forms, and a focus on the process of painting itself.

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