Sam Francis

Untitled, 1984

106.7 X 73 inch

Marcel Duchamp's La Mariée (The Bride) aquatint print showing abstract organic and geometric shapes intertwined in muted tones.

Plate size: 49.8 x 31.1 cm - Work size: 65.7 X 50.1 cm - Catálogue: Schawartz 433; Ginestet & Pouillon E 672 // La Mariée (The Bride) by Marcel Duchamp, an aquatint created in 1934, exemplifies the artist's exploration of abstract and mechanistic forms. This limited edition print, measuring 65.7 x 50.1 cm, is part of Duchamp's iconic work series that investigates the intersection between human and machine. The composition features a complex arrangement of organic and geometric shapes that intertwine, creating a sense of fragmented motion and ambiguity. The subdued palette of greens, browns, and ochres enhances the mechanical and enigmatic quality of the figure. Duchamp’s work challenges traditional representations, inviting viewers to contemplate themes of desire, movement, and transformation.

Artwork Copyright © Marcel Duchamp

La Mariée (The bride), 1934

form

Medium

Edition

Plate size: 49.8 x 31.1 cm - Work size: 65.7 X 50.1 cm - Catálogue: Schawartz 433; Ginestet & Pouillon E 672 // La Mariée (The Bride) by Marcel Duchamp, an aquatint created in 1934, exemplifies the artist's exploration of abstract and mechanistic forms. This limited edition print, measuring 65.7 x 50.1 cm, is part of Duchamp's iconic work series that investigates the intersection between human and machine. The composition features a complex arrangement of organic and geometric shapes that intertwine, creating a sense of fragmented motion and ambiguity. The subdued palette of greens, browns, and ochres enhances the mechanical and enigmatic quality of the figure. Duchamp’s work challenges traditional representations, inviting viewers to contemplate themes of desire, movement, and transformation.

Artwork Copyright © Marcel Duchamp

Marcel Duchamp

La Mariée (The Bride), 1934

Limited Edition Print

Aquatint

Currently Not Available

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What is Readymade?

Readymade is the term coined by French artist Marcel Duchamp to describe artworks created from manufactured objects. Duchamp selected ordinary, functional items that he felt had visual indifference, turning them into art simply by choosing and presenting them in a new context. This concept challenged traditional notions of art and continues to influence artists who adopt similar approaches today.

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