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Lithographs in colors, on Arches paper - Signed in pencil and numbered - Series: Twelve Maquettes of Stained Glass Windows for Jerusalem - Published by Mourlot, Paris // Marc Chagall's The Tribe of Issachar (1964) is a vibrant lithograph from his Twelve Maquettes of Stained Glass Windows for Jerusalem series. This limited edition work, printed on Arches paper, showcases Chagall’s interpretation of the biblical tribe of Issachar through his signature use of symbolism and color. The composition is filled with lush, organic elements and animals, such as a donkey—a symbol traditionally associated with the tribe—set against a background of swirling greens and blues. The central motif features a tablet with Hebrew script, emphasizing the spiritual and historical context of the piece. Chagall’s imaginative and poetic approach transforms this stained-glass design into a dynamic and deeply spiritual work, merging religious tradition with his unique artistic vision.
The Tribe of Issachar, 1964
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74.6 x 52.7 cm
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Details
Artist
Styles
Lithographs in colors, on Arches paper - Signed in pencil and numbered - Series: Twelve Maquettes of Stained Glass Windows for Jerusalem - Published by Mourlot, Paris // Marc Chagall's The Tribe of Issachar (1964) is a vibrant lithograph from his Twelve Maquettes of Stained Glass Windows for Jerusalem series. This limited edition work, printed on Arches paper, showcases Chagall’s interpretation of the biblical tribe of Issachar through his signature use of symbolism and color. The composition is filled with lush, organic elements and animals, such as a donkey—a symbol traditionally associated with the tribe—set against a background of swirling greens and blues. The central motif features a tablet with Hebrew script, emphasizing the spiritual and historical context of the piece. Chagall’s imaginative and poetic approach transforms this stained-glass design into a dynamic and deeply spiritual work, merging religious tradition with his unique artistic vision.
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What is Cubism?
Cubism is an art movement that aimed to depict multiple perspectives of objects or figures within a single picture. Artists Georges Braque and Pablo Picasso pioneered this style around 1907. The name Cubism emerged from their use of geometric shapes and outlines that often resembled cubes, breaking objects down into abstracted forms.