What is a print?
A print is an image or text reproduced using a template or master form. Prints are typically created by transferring ink from a prepared matrix to another material, often paper. Common matrices include copper or zinc plates for etching and engraving, aluminum or stone for lithography, wood blocks for woodcuts, and linoleum for linocuts. The term print can also refer to a single impression made from the matrix.
Show All
- Show All
- Established
- Discoveries
Show All
Related Articles
Popular, Collecting - February 13, 2025
How to Start an Art Collection on a Budget: A Practical Guide for New Collectors
Start your art collection on a budget! Discover practical tips, affordable artworks, and expert advice to build a meaningful collection without overspending. Read More
Collecting - October 11, 2023
Edition Numbers Unveiled: Is Lower Really Better?
Uncover the truth about edition numbers in print art. Learn how modern techniques ensure quality and why the myth of lower numbers holds less weight today. Read More
Collecting - March 29, 2023
Valuation in the Art Market: How to Accurately Estimate the Price of Artworks
The value of a work of art is often determined by factors which are not always easily discernible at first . Are there any specific methods or rules of thumb, available to buyers and sellers, to ascertain the monetary value of artworks? Can we understand the factors that have an effect on the prodigious prices of great artistic masterpieces? Read More
Acrylic on paper is a technique that involves using acrylic paints on various paper types and textures. Artists often choose watercolor paper with smooth or rough surfaces to apply acrylics using watercolor techniques such as bleeding, washing, and spattering. This approach allows for a wide range of effects, combining the flexibility of acrylics with the delicate qualities of watercolor methods.
Matter painting is a technique that involves blending thick impasto paints with materials like cement, mud, sand, or shells. The term first emerged in the 1950s to describe the works of Belgian and Dutch painters who explored the physical properties of painting materials and the different ways paint could be manipulated. This approach emphasizes texture and the tactile qualities of the surface, creating a sculptural effect on the canvas.
