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Lithograph in colors on Arches paper. Published/printed by Mourlot/Charles Sorlier, Paris, with the inkstamp verso. Suite: Nice et la Côte d'Azur Signed and numbered in pencil Literature: Mourlot CS. 27. Plate: 24 1/16 x 17 15/16in (61.1 x 45.6cm) Sheet 28 3/4 x 20 5/8in (73 x 52.4cm) Marc Chagall’s Sirène au Poète (1967) is a poetic lithograph from the Nice et la Côte d'Azur series, capturing his signature dreamlike imagery. A mythical siren with flowing red hair and a shimmering green tail gazes wistfully at a poet, who appears in a soft, ethereal glow. The background blends elements of the French Riviera—palm trees, the sea, and the crescent moon—creating a romantic, otherworldly atmosphere. Chagall’s use of vibrant colors and delicate textures evokes a sense of fantasy and emotional depth. Published by Mourlot in a limited edition of 75, this work reflects his fascination with love, mythology, and the enchantment of the Mediterranean coast.
Sirene au Poete, 1967
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73 x 52.4 cm
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Lithograph in colors on Arches paper. Published/printed by Mourlot/Charles Sorlier, Paris, with the inkstamp verso. Suite: Nice et la Côte d'Azur Signed and numbered in pencil Literature: Mourlot CS. 27. Plate: 24 1/16 x 17 15/16in (61.1 x 45.6cm) Sheet 28 3/4 x 20 5/8in (73 x 52.4cm) Marc Chagall’s Sirène au Poète (1967) is a poetic lithograph from the Nice et la Côte d'Azur series, capturing his signature dreamlike imagery. A mythical siren with flowing red hair and a shimmering green tail gazes wistfully at a poet, who appears in a soft, ethereal glow. The background blends elements of the French Riviera—palm trees, the sea, and the crescent moon—creating a romantic, otherworldly atmosphere. Chagall’s use of vibrant colors and delicate textures evokes a sense of fantasy and emotional depth. Published by Mourlot in a limited edition of 75, this work reflects his fascination with love, mythology, and the enchantment of the Mediterranean coast.
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Limited Edition Print
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Limited Edition Print
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What is Cubism?
Cubism is an art movement that aimed to depict multiple perspectives of objects or figures within a single picture. Artists Georges Braque and Pablo Picasso pioneered this style around 1907. The name Cubism emerged from their use of geometric shapes and outlines that often resembled cubes, breaking objects down into abstracted forms.