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From Façade portfolio. - Literature: Baro 72; 75 - Two photographic collage screeprints on wove paper with screenprint on acetate overlay. - Each signed in pencil, dated and numbered. - Published/printed by Harry N. Abrams/Chiron Press, New York, Louise Nevelson’s Clown's Houses and Four in the Morning, from her 1966 Façade series, are photographic collage screenprints enhanced with acetate overlays. These monochromatic works reflect Nevelson’s sculptural aesthetic, translating her assemblages into layered two-dimensional compositions. Using overlapping photographic images of wooden reliefs and structural forms, Nevelson creates an abstract architectural language—evoking both physical and psychological spaces. The play of shadow and form, combined with the translucent acetate layer, adds depth and a sense of motion. These prints were produced in an edition of 125, with a smaller colored-paper version also issued.
Clown's Houses; Four in the Morning, 1966
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57.2 x 43.5 cm
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From Façade portfolio. - Literature: Baro 72; 75 - Two photographic collage screeprints on wove paper with screenprint on acetate overlay. - Each signed in pencil, dated and numbered. - Published/printed by Harry N. Abrams/Chiron Press, New York, Louise Nevelson’s Clown's Houses and Four in the Morning, from her 1966 Façade series, are photographic collage screenprints enhanced with acetate overlays. These monochromatic works reflect Nevelson’s sculptural aesthetic, translating her assemblages into layered two-dimensional compositions. Using overlapping photographic images of wooden reliefs and structural forms, Nevelson creates an abstract architectural language—evoking both physical and psychological spaces. The play of shadow and form, combined with the translucent acetate layer, adds depth and a sense of motion. These prints were produced in an edition of 125, with a smaller colored-paper version also issued.
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What is abstract expressionism?
Abstract Expressionism is an art movement that emerged in the United States during the 1940s and 1950s. Characterized by large, abstract canvases, the movement emphasized spontaneous, expressive brushwork and the use of color and form to convey emotion rather than represent reality. Artists like Jackson Pollock, Mark Rothko, and Willem de Kooning are key figures in this movement. Abstract Expressionism marked a shift in the art world, making New York City a center of the international art scene.
