Sam Francis

Untitled, 1984

106.7 X 73 inch

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Reflections II

Louise Nevelson Clown's Houses and Four in the Morning, monochrome screenprints with acetate overlay and layered wooden forms.

From Façade portfolio. - Literature: Baro 72; 75 - Two photographic collage screeprints on wove paper with screenprint on acetate overlay. - Each signed in pencil, dated and numbered. - Published/printed by Harry N. Abrams/Chiron Press, New York, Louise Nevelson’s Clown's Houses and Four in the Morning, from her 1966 Façade series, are photographic collage screenprints enhanced with acetate overlays. These monochromatic works reflect Nevelson’s sculptural aesthetic, translating her assemblages into layered two-dimensional compositions. Using overlapping photographic images of wooden reliefs and structural forms, Nevelson creates an abstract architectural language—evoking both physical and psychological spaces. The play of shadow and form, combined with the translucent acetate layer, adds depth and a sense of motion. These prints were produced in an edition of 125, with a smaller colored-paper version also issued.

Artwork Copyright © Louise Nevelson

Clown's Houses; Four in the Morning, 1966

form

Medium

Edition

From Façade portfolio. - Literature: Baro 72; 75 - Two photographic collage screeprints on wove paper with screenprint on acetate overlay. - Each signed in pencil, dated and numbered. - Published/printed by Harry N. Abrams/Chiron Press, New York, Louise Nevelson’s Clown's Houses and Four in the Morning, from her 1966 Façade series, are photographic collage screenprints enhanced with acetate overlays. These monochromatic works reflect Nevelson’s sculptural aesthetic, translating her assemblages into layered two-dimensional compositions. Using overlapping photographic images of wooden reliefs and structural forms, Nevelson creates an abstract architectural language—evoking both physical and psychological spaces. The play of shadow and form, combined with the translucent acetate layer, adds depth and a sense of motion. These prints were produced in an edition of 125, with a smaller colored-paper version also issued.

Artwork Copyright © Louise Nevelson

Louise Nevelson

Winter Chord, 1974

Sculpture / Object

Wood

EUR 14,850

Louise Nevelson

Dusk In August From Portfolio 9, 1967

Limited Edition Print

Lithograph

USD 1,950

Louise Nevelson

Senza Titolo, 1975

Limited Edition Print

Screen-print

EUR 3,700

Louise Nevelson

Bicentennial Dawn, 1976

Limited Edition Print

Serigraph

USD 1,450

Louise Nevelson

Untitled (Red Rectangle On Black), 1975

Limited Edition Print

Silkscreen

EUR 5,450

Louise Nevelson

Nursery Rhyme, 1966

Limited Edition Print

Serigraph

Inquire For Price

Louise Nevelson

Lullaby For Jumbo, 1966

Limited Edition Print

Serigraph

Currently Not Available

Louise Nevelson

Dark Song, 1966

Limited Edition Print

Serigraph

Currently Not Available

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What is Found Object?

A found object is a term used to describe a man-made or natural object, or a fragment of one, that an artist discovers or purchases and keeps for inspiration or as a work of art. The artist may also modify the object or incorporate it into a collage or assemblage, transforming it into a new piece of art.

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