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From Façade portfolio. - Literature: Baro 72; 75 - Two photographic collage screeprints on wove paper with screenprint on acetate overlay. - Each signed in pencil, dated and numbered. - Published/printed by Harry N. Abrams/Chiron Press, New York, Louise Nevelson’s Clown's Houses and Four in the Morning, from her 1966 Façade series, are photographic collage screenprints enhanced with acetate overlays. These monochromatic works reflect Nevelson’s sculptural aesthetic, translating her assemblages into layered two-dimensional compositions. Using overlapping photographic images of wooden reliefs and structural forms, Nevelson creates an abstract architectural language—evoking both physical and psychological spaces. The play of shadow and form, combined with the translucent acetate layer, adds depth and a sense of motion. These prints were produced in an edition of 125, with a smaller colored-paper version also issued.
Clown's Houses; Four in the Morning, 1966
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57.2 x 43.5 cm
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From Façade portfolio. - Literature: Baro 72; 75 - Two photographic collage screeprints on wove paper with screenprint on acetate overlay. - Each signed in pencil, dated and numbered. - Published/printed by Harry N. Abrams/Chiron Press, New York, Louise Nevelson’s Clown's Houses and Four in the Morning, from her 1966 Façade series, are photographic collage screenprints enhanced with acetate overlays. These monochromatic works reflect Nevelson’s sculptural aesthetic, translating her assemblages into layered two-dimensional compositions. Using overlapping photographic images of wooden reliefs and structural forms, Nevelson creates an abstract architectural language—evoking both physical and psychological spaces. The play of shadow and form, combined with the translucent acetate layer, adds depth and a sense of motion. These prints were produced in an edition of 125, with a smaller colored-paper version also issued.
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What is Found Object?
A found object is a term used to describe a man-made or natural object, or a fragment of one, that an artist discovers or purchases and keeps for inspiration or as a work of art. The artist may also modify the object or incorporate it into a collage or assemblage, transforming it into a new piece of art.
