Details
Artist
Styles
Lithograph and tear // Hacha by Liliana Porter is a limited edition lithograph from 2005, produced in an edition of 50. This artwork features a small red figure standing on a vast, blank background, holding a large axe over its shoulders in a pose that suggests either action or pause. A small tear on the surface beneath the figure adds a unique physical texture and dimension, hinting at possible disruption or an intentional mark of imperfection. The minimalistic composition, with the single figure and the tear, draws attention to themes of strength, vulnerability, and the presence of force in otherwise serene spaces. Porter’s use of simplicity and subtle interventions invites contemplation of the relationship between power and fragility.
Hacha, 2005
form
Medium
Size
75 x 55 cm
- Inches
- Centimeters
Edition
Price
- USD
- EUR
- GBP
Details
Artist
Styles
Lithograph and tear // Hacha by Liliana Porter is a limited edition lithograph from 2005, produced in an edition of 50. This artwork features a small red figure standing on a vast, blank background, holding a large axe over its shoulders in a pose that suggests either action or pause. A small tear on the surface beneath the figure adds a unique physical texture and dimension, hinting at possible disruption or an intentional mark of imperfection. The minimalistic composition, with the single figure and the tear, draws attention to themes of strength, vulnerability, and the presence of force in otherwise serene spaces. Porter’s use of simplicity and subtle interventions invites contemplation of the relationship between power and fragility.
- Recently Added
- Price (low-high )
- Price (high-low )
- Year (low-high )
- Year (high-low )
What is appropriation?
Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.
