Desapropriaçâo 1 by André Komatsu is a limited edition lithograph from 2011 that presents a stark, surreal image. Against a solid black background, a lone table is depicted with precise white linework, bearing a grid pattern on its surface and a singular light source hanging above. The center of the table seems to dissolve into a mound or crater-like form, suggesting themes of absence, erosion, or destabilization. Komatsu’s work often delves into social and political commentary, exploring the fragility of structures and spaces. This piece, measuring 70 cm by 100 cm, evokes a sense of emptiness and uncertainty, inviting viewers to contemplate the concept of dispossession or displacement implied in the title, and challenging perceptions of stability in familiar objects.
André Komatsu (Brazil, 1978) is a contemporary artist known for his sculptures and installations that critique social and urban systems. Using materials like concrete, bricks, and everyday objects, he examines power dynamics and societal constraints. His works invite reflection on the constructed nature of modern social structures.
LithographLithography is a printing method based on the principle that water and oil do not mix. It can be used to print artwork or text onto paper or other suitable materials. Traditionally, an image was drawn with wax, fat, or oil onto a lithographic limestone surface or plate. Today, metal plates and other surfaces are also used in lithographic printing.
Desapropriaçâo 1 by André Komatsu is a limited edition lithograph from 2011 that presents a stark, surreal image. Against a solid black background, a lone table is depicted with precise white linework, bearing a grid pattern on its surface and a singular light source hanging above. The center of the table seems to dissolve into a mound or crater-like form, suggesting themes of absence, erosion, or destabilization. Komatsu’s work often delves into social and political commentary, exploring the fragility of structures and spaces. This piece, measuring 70 cm by 100 cm, evokes a sense of emptiness and uncertainty, inviting viewers to contemplate the concept of dispossession or displacement implied in the title, and challenging perceptions of stability in familiar objects.
André Komatsu (Brazil, 1978) is a contemporary artist known for his sculptures and installations that critique social and urban systems. Using materials like concrete, bricks, and everyday objects, he examines power dynamics and societal constraints. His works invite reflection on the constructed nature of modern social structures.
André Komatsu was born in 1978 and is a Brazilian artist who lives in Sao Paulo. Komatsu's architectural installments normally show objects that don't complement each other. He likes to position something that takes out the functionality of the main object. His work often features a concrete or brick wall which symbolizes society's stagnation and the roadblocks that continue to affect social imbalances and injustice. One of Komatsu's most popular displays is called 'Febre De Ouro' which is a series of fenced rooms made with galvanized steel. The fenced rooms continue to get smaller and smaller as you walk through them, and they continue on until you can't fit. The installation is disturbing and gives the feeling of suffocation or claustrophobia, even though the viewer can see through the outside of the fence. Komatsu is part of the 'Invisible Movement' and focuses on how people deal with established powers and space in urban areas. He work shows how we have territorial limits in the world.
Latin American Art is a style which takes inspiration from its culture, society, politics, native traditions, religions and landscape. Op-Art and Kinetic Art figure prominently in Latin artworks. Colors in Latin American compositions are often bold. Latin American artists work in all media and movements.