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Lithograph in colors on wove paper, signed in pencil - With the blindstamp of the artist // Kenneth Noland's Untitled (Target) (2004) is a limited edition lithograph that demonstrates his expertise in abstract expressionism and color field painting. Measuring 67.6 x 51.4 cm, the artwork showcases a target-like design formed by concentric circles in a harmonious array of colors including red, pink, lavender, and a central gold hue. The work exudes balance and rhythm, with Noland’s signature use of geometric forms and vibrant tones to create a captivating visual effect. His focus on color and shape, devoid of representational forms, draws the viewer’s attention to the dynamic interplay of color, encouraging a contemplative experience. This piece exemplifies Noland's contribution to modern art, emphasizing simplicity while achieving depth and complexity through color relationships.
Untitled (Target), 2004
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67.6 x 51.4 cm
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Lithograph in colors on wove paper, signed in pencil - With the blindstamp of the artist // Kenneth Noland's Untitled (Target) (2004) is a limited edition lithograph that demonstrates his expertise in abstract expressionism and color field painting. Measuring 67.6 x 51.4 cm, the artwork showcases a target-like design formed by concentric circles in a harmonious array of colors including red, pink, lavender, and a central gold hue. The work exudes balance and rhythm, with Noland’s signature use of geometric forms and vibrant tones to create a captivating visual effect. His focus on color and shape, devoid of representational forms, draws the viewer’s attention to the dynamic interplay of color, encouraging a contemplative experience. This piece exemplifies Noland's contribution to modern art, emphasizing simplicity while achieving depth and complexity through color relationships.
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What is Hard Edge Art?
Hard Edge art is a style of abstract painting that became popular in the 1960s. It features areas of color separated by crisp, sharp edges that are painted with geometric precision. The term hard-edge painting was coined by art critic Jules Langsner to describe this approach, which contrasts with the softer, more fluid forms of other abstract styles.
