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Spray paint on cardboard. Signed and numbered on the enclosed book page. One of 100 unique copies used as the book cover for the deluxe edition catalogue for the Picture Park exhibition at the Gallery of Modern Art in Brisbane, Australia. Literature: Galerie Ludorff, "New Acquisitions Spring 2024", Düsseldorf 2024, p. 36. Katharina Grosse’s Picture Park (2007) is a unique spray-painted cardboard work produced for the deluxe catalogue edition of her exhibition at the Gallery of Modern Art in Brisbane. Soft layers of turquoise, green, orange, and muted red pigment drift across the surface, creating an atmospheric composition that appears both expansive and unstable. The sprayed application dissolves clear boundaries, allowing color to function as space, light, and movement rather than as defined form. Grosse’s technique emphasizes immediacy and physical gesture, echoing the immersive qualities of her large-scale environmental paintings. Despite its relatively intimate format, the work conveys a strong sense of depth and spatial vibration, reflecting her ongoing exploration of abstraction through color saturation and surface energy.
Picture Park, 2007
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40.5 x 59 cm
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Spray paint on cardboard. Signed and numbered on the enclosed book page. One of 100 unique copies used as the book cover for the deluxe edition catalogue for the Picture Park exhibition at the Gallery of Modern Art in Brisbane, Australia. Literature: Galerie Ludorff, "New Acquisitions Spring 2024", Düsseldorf 2024, p. 36. Katharina Grosse’s Picture Park (2007) is a unique spray-painted cardboard work produced for the deluxe catalogue edition of her exhibition at the Gallery of Modern Art in Brisbane. Soft layers of turquoise, green, orange, and muted red pigment drift across the surface, creating an atmospheric composition that appears both expansive and unstable. The sprayed application dissolves clear boundaries, allowing color to function as space, light, and movement rather than as defined form. Grosse’s technique emphasizes immediacy and physical gesture, echoing the immersive qualities of her large-scale environmental paintings. Despite its relatively intimate format, the work conveys a strong sense of depth and spatial vibration, reflecting her ongoing exploration of abstraction through color saturation and surface energy.
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What is site specific art?
Site-Specific Art is a form of artwork created to exist in a particular location, with the artist considering the site as an integral part of the creative process. Robert Irwin was a key figure in promoting this art form in California. Site-Specific Art emerged as a reaction against modernist objects, which were often portable, commodified, and confined to museum spaces. In contrast, Site-Specific Art is inherently tied to its location, challenging the traditional notions of art as a transportable and marketable commodity.
