Sam Francis

Untitled, 1984

106.7 X 73 inch

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Cokeypane (set of 2)

Katharina Grosse Picture Park spray paint on cardboard with layered green red and blue atmospheric abstraction

Spray paint on cardboard. Signed and numbered on the enclosed book page. One of 100 unique copies used as the book cover for the deluxe edition catalogue for the Picture Park exhibition at the Gallery of Modern Art in Brisbane, Australia. Literature: Galerie Ludorff, "New Acquisitions Spring 2024", Düsseldorf 2024, p. 36. Katharina Grosse’s Picture Park (2007) is a unique spray-painted cardboard work created as the cover for the deluxe catalogue edition accompanying her exhibition at the Gallery of Modern Art in Brisbane. Layers of sprayed pigment in green, turquoise, red, and orange dissolve into one another, producing a dense atmospheric field that hovers between abstraction and landscape. Rather than defining fixed forms, Grosse uses color as an immersive spatial element, allowing mist-like textures and granular transitions to expand across the surface. The work reflects her broader practice of transforming environments through paint, where gesture, scale, and movement become central. Though modest in size, the composition retains the physical immediacy and energetic presence characteristic of her large-scale installations.

Artwork Copyright © Katharina Grosse

Picture Park, 2007

form

Medium

Edition

Spray paint on cardboard. Signed and numbered on the enclosed book page. One of 100 unique copies used as the book cover for the deluxe edition catalogue for the Picture Park exhibition at the Gallery of Modern Art in Brisbane, Australia. Literature: Galerie Ludorff, "New Acquisitions Spring 2024", Düsseldorf 2024, p. 36. Katharina Grosse’s Picture Park (2007) is a unique spray-painted cardboard work created as the cover for the deluxe catalogue edition accompanying her exhibition at the Gallery of Modern Art in Brisbane. Layers of sprayed pigment in green, turquoise, red, and orange dissolve into one another, producing a dense atmospheric field that hovers between abstraction and landscape. Rather than defining fixed forms, Grosse uses color as an immersive spatial element, allowing mist-like textures and granular transitions to expand across the surface. The work reflects her broader practice of transforming environments through paint, where gesture, scale, and movement become central. Though modest in size, the composition retains the physical immediacy and energetic presence characteristic of her large-scale installations.

Artwork Copyright © Katharina Grosse

Katharina Grosse

Picture Park, 2007

Painting

Mixed Media

EUR 16,600

Katharina Grosse

Picture Park, 2007

Painting

Mixed Media

EUR 16,600

Katharina Grosse

Cokeypane (set Of 2), 2011

Limited Edition Print

Lithograph

EUR 10,625

Katharina Grosse

O.T., 2018

Limited Edition Print

Mixed Media

Currently Not Available

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What is Colour Field Painting?

Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.

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