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High gloss Fujiflex print - Signed, dated and numbered (verso) // Jeff Koons’ Loopy (2000) is a vibrant digital print that epitomizes his exploration of pop culture, consumerism, and playful aesthetics. The composition features a surreal juxtaposition of elements: a cartoon-like figure with wide eyes and a bright orange nose, swirling rollercoaster tracks, and a spoonful of whipped cream topped with a glossy red cherry. Scattered golden spheres and circular cutouts punctuate the image, creating a dynamic interplay of shapes and textures. Measuring 86.4 x 61 cm, this limited-edition print showcases Koons’ ability to merge high and low art, capturing a sense of whimsy and nostalgia while inviting viewers to reflect on mass culture and kitsch.
Loopy, 2000
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86.4 x 61 cm
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Artist
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High gloss Fujiflex print - Signed, dated and numbered (verso) // Jeff Koons’ Loopy (2000) is a vibrant digital print that epitomizes his exploration of pop culture, consumerism, and playful aesthetics. The composition features a surreal juxtaposition of elements: a cartoon-like figure with wide eyes and a bright orange nose, swirling rollercoaster tracks, and a spoonful of whipped cream topped with a glossy red cherry. Scattered golden spheres and circular cutouts punctuate the image, creating a dynamic interplay of shapes and textures. Measuring 86.4 x 61 cm, this limited-edition print showcases Koons’ ability to merge high and low art, capturing a sense of whimsy and nostalgia while inviting viewers to reflect on mass culture and kitsch.
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Jeff Koons
Pink Bow - Celebration Series, 2013
Limited Edition Print
Inkjet Print
Currently Not Available
What is Neo-Geo?
Known as Neo-Geo for short, this movement uses geometric objects and shapes to create abstract artwork as a metaphor for society. Inspired by various 20th-century art styles, including minimalism and pop art, Neo-Geo emerged in the 1980s as a response to the industrialization and commercialization of the modern world. The movement reflects on the impact of mass production, consumerism, and technology, often critiquing the superficiality of contemporary culture through its abstract, geometric compositions.
