Sam Francis

Untitled, 1984

106.7 X 73 inch

Jean-Charles Blais Suite Nipon Pour CB linocut clasped hands in black white on bold red background

Linocut from the series "Suite Nipon pour CB". Jean-Charles Blais’s Suite Nipon Pour CB (1985) is a linocut that presents a striking, graphic composition centered on a pair of clasped hands. Rendered in bold black and white against a vivid red background, the image emphasizes contrast and texture inherent to the linocut technique. The simplified, expressive lines carve out the figure’s torso and arms, while the hands—firmly joined—suggest themes of unity, introspection, or quiet tension. The surrounding red field, filled with abstracted interior forms, adds intensity and spatial ambiguity. Created during a period when Blais explored raw, direct imagery, the work reflects both physicality and emotional restraint within a limited but powerful visual language.

Artwork Copyright © Jean-Charles Blais

Suite Nipon Pour CB, 1985

form

Medium

Edition

Linocut from the series "Suite Nipon pour CB". Jean-Charles Blais’s Suite Nipon Pour CB (1985) is a linocut that presents a striking, graphic composition centered on a pair of clasped hands. Rendered in bold black and white against a vivid red background, the image emphasizes contrast and texture inherent to the linocut technique. The simplified, expressive lines carve out the figure’s torso and arms, while the hands—firmly joined—suggest themes of unity, introspection, or quiet tension. The surrounding red field, filled with abstracted interior forms, adds intensity and spatial ambiguity. Created during a period when Blais explored raw, direct imagery, the work reflects both physicality and emotional restraint within a limited but powerful visual language.

Artwork Copyright © Jean-Charles Blais

Jean-Charles Blais

Suite Nipon Pour CB, 1985

Limited Edition Print

Linocut

EUR 2,200

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What is Arte Povera?

A movement and style in art that originated in Italy during the 1960s. It integrates elements of minimalism, performance art, and conceptual art by using everyday or seemingly worthless materials, such as newspapers, stones, or rags. The goal was to challenge and subvert the commercialization of art.

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