James Turrell’s Aqua Oscura (Spring) (2015) is a polymer gravure etching that reflects the artist’s long-standing exploration of perception, light, and spatial awareness. Unlike Turrell’s immersive installations, this work turns attention toward the quiet poetry of nature. Dark silhouettes of leafless tree branches spread across the composition, their intricate networks set against a luminous grey sky. The image appears almost abstract at first glance, dissolving the distinction between reflection and reality, depth and surface. The title, combining the Latin words for water and darkness, suggests a meditative encounter with natural phenomena and the act of seeing itself. Printed in an edition of 30 and hand-signed by the artist, Aqua Oscura (Spring) extends Turrell’s investigation of visual experience into the medium of print, inviting prolonged contemplation of light, atmosphere, and perception.
James Turrell (USA, 1943) is a leading light and space artist. Renowned for immersive installations, he manipulates perception with color and form, turning light into a tangible medium. His monumental 'Roden Crater' project transforms an extinct volcano into a celestial observatory, blending art, science, and nature.
EtchingEtching is a technique where a design is created on a metal surface by using a strong acid or mordant to eat away the unprotected parts of the metal, leaving the desired pattern in relief (intaglio). In modern art and manufacturing, different chemicals may be used depending on the material being etched.
Size
Inches
Centimeters
84.5 X 119.5 cm
Edition
Edition of 30
Price
7,800 – 10,000 GBP
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●Inventory 17606
●Signed
●Comes with gallery invoice and certificate
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Polymer gravure etchings on paper.
Hand-signed.
James Turrell’s Aqua Oscura (Spring) (2015) is a polymer gravure etching that reflects the artist’s long-standing exploration of perception, light, and spatial awareness. Unlike Turrell’s immersive installations, this work turns attention toward the quiet poetry of nature. Dark silhouettes of leafless tree branches spread across the composition, their intricate networks set against a luminous grey sky. The image appears almost abstract at first glance, dissolving the distinction between reflection and reality, depth and surface. The title, combining the Latin words for water and darkness, suggests a meditative encounter with natural phenomena and the act of seeing itself. Printed in an edition of 30 and hand-signed by the artist, Aqua Oscura (Spring) extends Turrell’s investigation of visual experience into the medium of print, inviting prolonged contemplation of light, atmosphere, and perception.
James Turrell (USA, 1943) is a leading light and space artist. Renowned for immersive installations, he manipulates perception with color and form, turning light into a tangible medium. His monumental 'Roden Crater' project transforms an extinct volcano into a celestial observatory, blending art, science, and nature.
We're part of creating this world in which we live, but we're unaware of how we do that or even that we do that.
- James Turrell
James Turrell (b. 1943, USA) is an American artist celebrated for his groundbreaking work in installation art and light art. His explorations of perception and light challenge the boundaries of human sensory experience. Turrell's works are often large-scale, immersive environments that manipulate light, space, and color to create profound, contemplative experiences. One of his most ambitious projects is the Roden Crater, a monumental land art installation in an extinct volcanic crater in Arizona, designed to engage viewers with the celestial and earthly interplay of light. Influenced by Minimalism and conceptual art, Turrell's art invites viewers to question their own perception of reality. His work has been exhibited in major museums worldwide, affirming his status as a pivotal figure in contemporary art. (Artist website)
Earth art, also known as Land Art, emerged in the 1960s and 70s as part of the conceptual art movement. It involves creating artworks by sculpting the land or constructing structures in the landscape using natural materials like earth, rocks, or twigs. These works are often large-scale and emphasize the relationship between art and nature.