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Signed, numbered and dated // Invader’s Scream II (2007) is a limited-edition screen print that exemplifies the artist’s signature pixelated style, derived from his use of mosaic tiles and Rubik’s cube aesthetics. The artwork is composed of small, colorful squares in a grid pattern, reminiscent of digital pixels, forming an abstracted version of Edvard Munch’s iconic The Scream. The colors—red, blue, green, white, and orange—are strategically placed to create a sense of movement and distortion, characteristic of Munch’s original piece, but rendered in a highly modern, digital format. This print is a striking example of Invader's ability to blend classic art with contemporary digital and pop culture influences.
Scream II, 2007
form
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Size
40 x 50 cm
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Edition
Price
Details
Artist
Styles
Signed, numbered and dated // Invader’s Scream II (2007) is a limited-edition screen print that exemplifies the artist’s signature pixelated style, derived from his use of mosaic tiles and Rubik’s cube aesthetics. The artwork is composed of small, colorful squares in a grid pattern, reminiscent of digital pixels, forming an abstracted version of Edvard Munch’s iconic The Scream. The colors—red, blue, green, white, and orange—are strategically placed to create a sense of movement and distortion, characteristic of Munch’s original piece, but rendered in a highly modern, digital format. This print is a striking example of Invader's ability to blend classic art with contemporary digital and pop culture influences.
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Invader
Rubik Kubrick I - Clockwork Orange (Alex), 2006
Limited Edition Print
Screen-print
GBP 5,000 - 7,000
What is appropriation?
Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.
