Sam Francis

Untitled, 1984

106.7 X 73 inch

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Helen Frankenthaler Untitled (What Red Lines Can Do), 1970, serigraph with fluid red, green, and ochre lines on a white background, minimal and abstract.

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Original serigraph on paper - Published by Multiples Inc. New York - From " What Red Lines Can Do" Portfolio - In excellent condition - Hand signed by Frankenthaler // Helen Frankenthaler's Untitled (What Red Lines Can Do) (1970) is a minimalist serigraph that exemplifies her exploration of color, form, and negative space. The composition features fluid, organic lines in red, green, and ochre, which converge and spread across the lower half of the print, leaving much of the canvas as an open expanse. The subtle blending and interaction of colors create a sense of movement and balance, reflecting Frankenthaler’s signature style of abstract expressionism. The simplicity of the design invites contemplation, highlighting her ability to convey emotion and dynamism with minimal elements. This print, hand-signed and published by Multiples Inc., is part of the What Red Lines Can Do portfolio, showcasing Frankenthaler’s mastery in translating painterly techniques into print form.

Artwork Copyright © Helen Frankenthaler

Helen Frankenthaler

Untitled (What red lines can do), 1970

form

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98 x 66   cm
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Details

Artist

Styles

Original serigraph on paper - Published by Multiples Inc. New York - From " What Red Lines Can Do" Portfolio - In excellent condition - Hand signed by Frankenthaler // Helen Frankenthaler's Untitled (What Red Lines Can Do) (1970) is a minimalist serigraph that exemplifies her exploration of color, form, and negative space. The composition features fluid, organic lines in red, green, and ochre, which converge and spread across the lower half of the print, leaving much of the canvas as an open expanse. The subtle blending and interaction of colors create a sense of movement and balance, reflecting Frankenthaler’s signature style of abstract expressionism. The simplicity of the design invites contemplation, highlighting her ability to convey emotion and dynamism with minimal elements. This print, hand-signed and published by Multiples Inc., is part of the What Red Lines Can Do portfolio, showcasing Frankenthaler’s mastery in translating painterly techniques into print form.

Artwork Copyright © Helen Frankenthaler
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Helen Frankenthaler, Ganymede, etching and aquatint featuring warm ochre, sienna, and blue tones with layered, textured brushstrokes.

Helen Frankenthaler

Ganymede, 1978

Limited Edition Print

Etching And Aquatint

USD 12,500

Helen Frankenthaler Untitled (What Red Lines Can Do), 1970, serigraph with fluid red, green, and ochre lines on a white background, minimal and abstract.

Helen Frankenthaler

Untitled (What Red Lines Can Do), 1970

Limited Edition Print

Serigraph

USD 6,700

Helen Frankenthaler’s Aerie, 2009 silkscreen print with flowing organic shapes in red, green, and yellow on a soft background.

Helen Frankenthaler

Aerie, 2009

Limited Edition Print

Silkscreen

USD 25,900

Helen Frankenthaler Pompeii Forte etching with red vertical streaks and textured abstract patterns on cream paper

Helen Frankenthaler

Pompeii Forte, 1976-82

Limited Edition Print

Etching And Aquatint

Artwork On Hold

Helen Frankenthaler Venice II lithograph with terracotta curves, blue splash, and fine colorful lines on cream background

Helen Frankenthaler

Venice II, 1969-1972

Limited Edition Print

Lithograph

USD 6,300

Helen Frankenthaler Tribal Sign, 1987 lithograph, earthy tones with gestural drips and layered textures on handmade paper.

Helen Frankenthaler

Tribal Sign, 1987

Limited Edition Print

Lithograph

USD 9,150

Helen FRANKENTHALER | Orange Hoop | Lithograph available for sale on composition gallery

Helen Frankenthaler

Orange Hoop, 1965

Limited Edition Print

Lithograph

USD 9,125

Helen Frankenthaler's Parets etching from 1987 features abstract, plant-like forms with deep textured lines in reddish-brown against a light background.

Helen Frankenthaler

Parets, 1987

Limited Edition Print

Etching

EUR 11,900

Helen Frankenthaler Madame de Pompadour lithograph; abstract fluid forms in yellow, black, and blue on a textured background.

Helen Frankenthaler

Madame De Pompadour, 1985

Limited Edition Print

Lithograph

USD 14,250

Helen Frankenthaler's Valentine for Mr. Wonderful, a limited edition book with seven hand-printed intaglio prints, housed in a paper folio, signed and numbered.

Helen Frankenthaler

Valentine For Mr. Wonderful (book), 1995

Limited Edition Print

Intaglio

USD 15,700

Private Listing

Helen Frankenthaler

Private Listing

Limited Edition Print

Monotype

Request Info

Helen Frankenthaler Earth Slice etching and aquatint featuring earthy tones with fluid, abstract forms on handmade paper.

Helen Frankenthaler

Earth Slice, 1978

Limited Edition Print

Etching And Aquatint

USD 11,500

Helen Frankenthaler's Sirocco, mixed media print, 1989, warm yellow tones with circular texture evoking a desert landscape.

Helen Frankenthaler

Sirocco, 1989

Limited Edition Print

Mixed Media

Inquire For Price

Helen Frankenthaler's Ramblas, lithograph, drypoint, and etching, shows abstract yellow lines on black, framed by a red border.

Helen Frankenthaler

Ramblas, 1987-1988

Limited Edition Print

Mixed Media

USD 9,600

Helen Frankenthaler Ochre Dust lithograph with sweeping black brushstrokes, fine lines, and earth-toned textures on Arches paper.

Helen Frankenthaler

Ochre Dust, 1987

Limited Edition Print

Lithograph

Currently Not Available

Helen Frankenthaler Japanese Maple, mixed media woodcut, red and blue abstract forms with wood grain texture.

Helen Frankenthaler

Japanese Maple, 2005

Limited Edition Print

Mixed Media

Currently Not Available

Helen Frankenthaler Comet etching and aquatint with warm earthy tones and abstract forms evoking a cosmic or atmospheric scene.

Helen Frankenthaler

Comet, 1980-82

Limited Edition Print

Etching And Aquatint

Currently Not Available

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What is lyrical abstraction ?
Artwork by Helen Frankenthaler

What is lyrical abstraction ?

Lyrical abstraction is a descriptive term characterizing a type of abstract painting closely related to Abstract Expressionism, in use from the 1940s to the present. The term can also describe two distinct but related trends in post-World War II modernist painting. This art movement originated in Paris, France, after the war, emphasizing personal expression, spontaneity, and the emotional use of color and form.

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