Published by Lincoln Center for the Performing Arts, New York.
Signed, dated and numbered in pencil.
Reflections IX (1995) by Helen Frankenthaler is a subtle yet expressive lithograph that exemplifies her signature stain technique translated into printmaking. Using soft washes of pink and beige with a contrasting strip of red at the top, Frankenthaler evokes a meditative stillness. The delicate interplay of tone and form creates a sense of transparency and depth, recalling her contributions to Color Field painting. Published by the Lincoln Center for the Performing Arts in New York, this limited edition of 30 is signed and numbered by the artist, underscoring its place in her refined late-career works.
Helen Frankenthaler (USA, 1928–2011) was a leading abstract painter and a pioneer of the Color Field movement. Known for her innovative 'soak-stain' technique, she applied diluted paint directly onto unprimed canvases, creating luminous, fluid compositions that redefined modern abstraction.
LithographLithography is a printing method based on the principle that water and oil do not mix. It can be used to print artwork or text onto paper or other suitable materials. Traditionally, an image was drawn with wax, fat, or oil onto a lithographic limestone surface or plate. Today, metal plates and other surfaces are also used in lithographic printing.
Published by Lincoln Center for the Performing Arts, New York.
Signed, dated and numbered in pencil.
Reflections IX (1995) by Helen Frankenthaler is a subtle yet expressive lithograph that exemplifies her signature stain technique translated into printmaking. Using soft washes of pink and beige with a contrasting strip of red at the top, Frankenthaler evokes a meditative stillness. The delicate interplay of tone and form creates a sense of transparency and depth, recalling her contributions to Color Field painting. Published by the Lincoln Center for the Performing Arts in New York, this limited edition of 30 is signed and numbered by the artist, underscoring its place in her refined late-career works.
Helen Frankenthaler (USA, 1928–2011) was a leading abstract painter and a pioneer of the Color Field movement. Known for her innovative 'soak-stain' technique, she applied diluted paint directly onto unprimed canvases, creating luminous, fluid compositions that redefined modern abstraction.
A really good picture looks as if it's happened at once. It's an immediate image.
- Helen Frankenthaler
Initially creating in the style of abstract expressionism before going on to pioneer the Colour Field movement, Helen Frankenthaler was an iconic, highly influential artist with work spanning across the mediums of painting, sculpture and printmaking. Frankenthaler was initially recognised for her colour-stain technique – the practice of applying heavily diluted oil paint onto an unprimed canvas that had been lay flat on the floor; the practice of laying the canvas flat was inspired by Jackson Pollock. Frankenthaler drew a lot of her inspiration from nature – her works would analyse natural forms and recreate them on the canvas – this, as well as the technique of laying the canvas flat, is exemplified in her most notable painting, Mountains and Sea. Asides from these paintings, Frankenthaler also received acclaim for her printmaking – Madame Butterfly is her most recognised print and was created with the use of 46 woodblocks and a range of 102 different colours. (Artist website)
Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.