
Details
Artist
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Based on a 1995 painting of the same title, Helen Frankenthaler’s “Aerie,” crafted only two years before her death. Unable to hand-sign the prints in this edition, Frankenthaler individually stamped each example with her initials. // Helen Frankenthaler’s Aerie, a 2009 silkscreen print, captures the artist’s signature lyrical abstraction with fluid forms and vibrant colors. Based on her 1995 painting of the same title, this print features cascading organic shapes in red, green, and yellow set against a soft, expansive background. The forms appear to drip and float, suggesting elements of nature like plants, water, or even an abstracted landscape. Each piece in this edition of 128 was stamped with Frankenthaler’s initials, as it was created only two years before her passing. Aerie exemplifies her exploration of color and form, evoking a sense of movement and depth that invites viewers into an immersive, almost dreamlike space.
Aerie, 2009
form
Medium
Size
75 x 98.4 cm
- Inches
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Edition
Price
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Details
Artist
Styles
Based on a 1995 painting of the same title, Helen Frankenthaler’s “Aerie,” crafted only two years before her death. Unable to hand-sign the prints in this edition, Frankenthaler individually stamped each example with her initials. // Helen Frankenthaler’s Aerie, a 2009 silkscreen print, captures the artist’s signature lyrical abstraction with fluid forms and vibrant colors. Based on her 1995 painting of the same title, this print features cascading organic shapes in red, green, and yellow set against a soft, expansive background. The forms appear to drip and float, suggesting elements of nature like plants, water, or even an abstracted landscape. Each piece in this edition of 128 was stamped with Frankenthaler’s initials, as it was created only two years before her passing. Aerie exemplifies her exploration of color and form, evoking a sense of movement and depth that invites viewers into an immersive, almost dreamlike space.
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What is Colour Field Painting?
Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.