Sam Francis

Untitled, 1984

106.7 X 73 inch

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Untitled (What red lines can do)

Helen Frankenthaler’s Aerie, 2009 silkscreen print with flowing organic shapes in red, green, and yellow on a soft background.

Based on a 1995 painting of the same title, Helen Frankenthaler’s “Aerie,” crafted only two years before her death. Unable to hand-sign the prints in this edition, Frankenthaler individually stamped each example with her initials. // Helen Frankenthaler’s Aerie, a 2009 silkscreen print, captures the artist’s signature lyrical abstraction with fluid forms and vibrant colors. Based on her 1995 painting of the same title, this print features cascading organic shapes in red, green, and yellow set against a soft, expansive background. The forms appear to drip and float, suggesting elements of nature like plants, water, or even an abstracted landscape. Each piece in this edition of 128 was stamped with Frankenthaler’s initials, as it was created only two years before her passing. Aerie exemplifies her exploration of color and form, evoking a sense of movement and depth that invites viewers into an immersive, almost dreamlike space.

Artwork Copyright © Helen Frankenthaler

Aerie, 2009

form

Medium

Edition

Based on a 1995 painting of the same title, Helen Frankenthaler’s “Aerie,” crafted only two years before her death. Unable to hand-sign the prints in this edition, Frankenthaler individually stamped each example with her initials. // Helen Frankenthaler’s Aerie, a 2009 silkscreen print, captures the artist’s signature lyrical abstraction with fluid forms and vibrant colors. Based on her 1995 painting of the same title, this print features cascading organic shapes in red, green, and yellow set against a soft, expansive background. The forms appear to drip and float, suggesting elements of nature like plants, water, or even an abstracted landscape. Each piece in this edition of 128 was stamped with Frankenthaler’s initials, as it was created only two years before her passing. Aerie exemplifies her exploration of color and form, evoking a sense of movement and depth that invites viewers into an immersive, almost dreamlike space.

Artwork Copyright © Helen Frankenthaler

Helen Frankenthaler

Eve, 1995

Limited Edition Print

Screen-print

USD 34,500

Helen Frankenthaler

Japanese Maple, 2005

Limited Edition Print

Mixed Media

USD 90,000 - 100,000

Helen Frankenthaler

Aerie, 2009

Limited Edition Print

Silkscreen

USD 25,900

Helen Frankenthaler

Untitled (What Red Lines Can Do), 1970

Limited Edition Print

Serigraph

USD 6,700

Helen Frankenthaler

Ganymede, 1978

Limited Edition Print

Etching And Aquatint

USD 12,500

Helen Frankenthaler

Ramblas, 1987-1988

Limited Edition Print

Mixed Media

USD 9,600

Helen Frankenthaler

Sirocco, 1989

Limited Edition Print

Mixed Media

Inquire For Price

Helen Frankenthaler

Broome Street At Night, 1987

Limited Edition Print

Mixed Media

USD 16,600

Helen Frankenthaler

Grey Fireworks, 2000

Limited Edition Print

Screen-print

USD 30,000 - 35,000

Helen Frankenthaler

Pranzo Italiano, 1973

Limited Edition Print

Etching And Aquatint

USD 4,980

Helen Frankenthaler

Earth Slice, 1978

Limited Edition Print

Etching And Aquatint

USD 11,500

Helen Frankenthaler

Private Listing

Limited Edition Print

Monotype

Request Info

Helen Frankenthaler

Valentine For Mr. Wonderful (book), 1995

Limited Edition Print

Intaglio

USD 15,700

Helen Frankenthaler

Madame De Pompadour, 1985

Limited Edition Print

Lithograph

USD 14,250

Helen Frankenthaler

Parets, 1987

Limited Edition Print

Etching

EUR 11,900

Helen Frankenthaler

Orange Hoop, 1965

Limited Edition Print

Lithograph

USD 9,125

Helen Frankenthaler

Tribal Sign, 1987

Limited Edition Print

Lithograph

USD 9,150

Helen Frankenthaler

Comet, 1980-82

Limited Edition Print

Etching And Aquatint

Currently Not Available

Helen Frankenthaler

Valentine For Mr. Wonderful, 1995

Limited Edition Print

Etching And Aquatint

Currently Not Available

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What is Colour Field Painting?

Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.

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