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Published by Lincoln Center for the Performing Arts, New York. Signed, dated and numbered in pencil. Reflections IX (1995) by Helen Frankenthaler is a subtle yet expressive lithograph that exemplifies her signature stain technique translated into printmaking. Using soft washes of pink and beige with a contrasting strip of red at the top, Frankenthaler evokes a meditative stillness. The delicate interplay of tone and form creates a sense of transparency and depth, recalling her contributions to Color Field painting. Published by the Lincoln Center for the Performing Arts in New York, this limited edition of 30 is signed and numbered by the artist, underscoring its place in her refined late-career works.
Reflections IX, 1995
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Medium
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50.8 x 38.1 cm
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Details
Artist
Styles
Published by Lincoln Center for the Performing Arts, New York. Signed, dated and numbered in pencil. Reflections IX (1995) by Helen Frankenthaler is a subtle yet expressive lithograph that exemplifies her signature stain technique translated into printmaking. Using soft washes of pink and beige with a contrasting strip of red at the top, Frankenthaler evokes a meditative stillness. The delicate interplay of tone and form creates a sense of transparency and depth, recalling her contributions to Color Field painting. Published by the Lincoln Center for the Performing Arts in New York, this limited edition of 30 is signed and numbered by the artist, underscoring its place in her refined late-career works.
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What is Colour Field Painting?
Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.
