Sam Francis

Untitled, 1984

106.7 X 73 inch

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Helen Frankenthaler, Pranzo Italiano, 1973, etching and aquatint featuring an orange organic form with a thin blue line and yellow stripe on Fabriano paper.

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Etching and aquatint in colors, on Fabriano paper, 1973, signed and dated in pencil, numbered on an edition of 43 (there were also three artist's proofs), published by 2RC Editrice, Rome, with their blindstamp, with full margins. -- Image: 8.5 x 8 in. (215 x 200 mm.) Sheet: 19.5 x 13.6 in. (496 x 345 mm.) -- Published in Harrison 44 // Helen Frankenthaler’s Pranzo Italiano (1973) is an etching and aquatint that demonstrates her abstract expressionist approach through subtle colors and organic forms. The artwork, printed on Fabriano paper, features a warm orange, textural form at the top of the composition, delicately contrasted by a thin blue line and a soft yellow stripe near the base. The simplicity and fluidity of these elements evoke a sense of spontaneity and movement, hallmarks of Frankenthaler’s style. The use of negative space emphasizes the central abstract forms, inviting the viewer to interpret the work’s evocative and lyrical qualities. The piece is signed, dated, and numbered in pencil, with the blindstamp of 2RC Editrice, Rome, underscoring its authenticity and limited edition status.

Artwork Copyright © Helen Frankenthaler

Helen Frankenthaler

Pranzo Italiano, 1973

form

Medium

Size

49.6 x 34.5   cm
  • Inches
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Price

Details

Artist

Styles

Etching and aquatint in colors, on Fabriano paper, 1973, signed and dated in pencil, numbered on an edition of 43 (there were also three artist's proofs), published by 2RC Editrice, Rome, with their blindstamp, with full margins. -- Image: 8.5 x 8 in. (215 x 200 mm.) Sheet: 19.5 x 13.6 in. (496 x 345 mm.) -- Published in Harrison 44 // Helen Frankenthaler’s Pranzo Italiano (1973) is an etching and aquatint that demonstrates her abstract expressionist approach through subtle colors and organic forms. The artwork, printed on Fabriano paper, features a warm orange, textural form at the top of the composition, delicately contrasted by a thin blue line and a soft yellow stripe near the base. The simplicity and fluidity of these elements evoke a sense of spontaneity and movement, hallmarks of Frankenthaler’s style. The use of negative space emphasizes the central abstract forms, inviting the viewer to interpret the work’s evocative and lyrical qualities. The piece is signed, dated, and numbered in pencil, with the blindstamp of 2RC Editrice, Rome, underscoring its authenticity and limited edition status.

Artwork Copyright © Helen Frankenthaler
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Helen Frankenthaler, Ganymede, etching and aquatint featuring warm ochre, sienna, and blue tones with layered, textured brushstrokes.

Helen Frankenthaler

Ganymede, 1978

Limited Edition Print

Etching And Aquatint

USD 12,500

Helen Frankenthaler Untitled (What Red Lines Can Do), 1970, serigraph with fluid red, green, and ochre lines on a white background, minimal and abstract.

Helen Frankenthaler

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Limited Edition Print

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Helen Frankenthaler’s Aerie, 2009 silkscreen print with flowing organic shapes in red, green, and yellow on a soft background.

Helen Frankenthaler

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Limited Edition Print

Silkscreen

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Limited Edition Print

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Helen Frankenthaler

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Limited Edition Print

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Helen Frankenthaler

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Limited Edition Print

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Helen Frankenthaler's Parets etching from 1987 features abstract, plant-like forms with deep textured lines in reddish-brown against a light background.

Helen Frankenthaler

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Limited Edition Print

Etching

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Helen Frankenthaler Madame de Pompadour lithograph; abstract fluid forms in yellow, black, and blue on a textured background.

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Limited Edition Print

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Helen Frankenthaler's Valentine for Mr. Wonderful, a limited edition book with seven hand-printed intaglio prints, housed in a paper folio, signed and numbered.

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Limited Edition Print

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Private Listing

Helen Frankenthaler

Private Listing

Limited Edition Print

Monotype

Request Info

Helen Frankenthaler Earth Slice etching and aquatint featuring earthy tones with fluid, abstract forms on handmade paper.

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Limited Edition Print

Etching And Aquatint

USD 11,500

Helen Frankenthaler's Sirocco, mixed media print, 1989, warm yellow tones with circular texture evoking a desert landscape.

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Limited Edition Print

Mixed Media

Inquire For Price

Helen Frankenthaler's Ramblas, lithograph, drypoint, and etching, shows abstract yellow lines on black, framed by a red border.

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Limited Edition Print

Mixed Media

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Helen Frankenthaler Ochre Dust lithograph with sweeping black brushstrokes, fine lines, and earth-toned textures on Arches paper.

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Ochre Dust, 1987

Limited Edition Print

Lithograph

Currently Not Available

Helen Frankenthaler Japanese Maple, mixed media woodcut, red and blue abstract forms with wood grain texture.

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Japanese Maple, 2005

Limited Edition Print

Mixed Media

Currently Not Available

Helen Frankenthaler Comet etching and aquatint with warm earthy tones and abstract forms evoking a cosmic or atmospheric scene.

Helen Frankenthaler

Comet, 1980-82

Limited Edition Print

Etching And Aquatint

Currently Not Available

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What is Process Art?
Artwork by Bruce Nauman

What is Process Art?

Process Art is an artistic movement and creative approach where the focus is on the act of creation rather than the final product. The term process in this context refers to the various stages of art-making, including gathering, sorting, associating, and organizing materials and actions. This movement emphasizes the artistic journey and the human expression involved in creating art, rather than the finished piece itself. Process Art is driven by inherent motivation, intentionality, and the rationale behind the actions, viewing the creative process as the true artwork.

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