Details
Artist
Styles
Lithograph in colors on Arches paper - Signed, dated and numbered - Published by Tyler Graphics, Mount Kisco, New York Helen Frankenthaler’s Ochre Dust (1987) is a stunning lithograph that exemplifies her mastery of gestural abstraction and color field painting. Created in collaboration with Tyler Graphics Ltd., the work features fluid, sweeping black brushstrokes that flow across the surface of Arches paper, creating a sense of depth and organic movement. The composition is punctuated by delicate linear elements and subtle earth-toned washes, which enhance the tactile quality of the piece. The raw energy and spontaneity of the brushwork reflect Frankenthaler’s signature soak-stain technique, adapted here for lithography. As part of a rare limited edition of 44, Ochre Dust is a testament to her innovative approach to printmaking and her ability to capture both bold expression and delicate nuance within a single composition.
Ochre Dust, 1987
form
Medium
Size
61.9 x 83.8 cm
- Inches
- Centimeters
Edition
Price
Details
Artist
Styles
Lithograph in colors on Arches paper - Signed, dated and numbered - Published by Tyler Graphics, Mount Kisco, New York Helen Frankenthaler’s Ochre Dust (1987) is a stunning lithograph that exemplifies her mastery of gestural abstraction and color field painting. Created in collaboration with Tyler Graphics Ltd., the work features fluid, sweeping black brushstrokes that flow across the surface of Arches paper, creating a sense of depth and organic movement. The composition is punctuated by delicate linear elements and subtle earth-toned washes, which enhance the tactile quality of the piece. The raw energy and spontaneity of the brushwork reflect Frankenthaler’s signature soak-stain technique, adapted here for lithography. As part of a rare limited edition of 44, Ochre Dust is a testament to her innovative approach to printmaking and her ability to capture both bold expression and delicate nuance within a single composition.
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What is abstract art?
Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.
