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Woodcut, printed from two plates - 65 x 49 cm, woodblock; 98x66,3 cm- sheet size - With light margin and a small tear at lower right corner, very nice impression. // Georg Baselitz's Man and Woman III (with Fir Tree) (1985) is a compelling woodcut that exemplifies his raw and expressive style. This limited edition print, measuring 98 x 66.3 cm, presents two figures inverted in a bold, monochromatic composition. The rough, textured lines capture a sense of emotional intensity and disorientation, a hallmark of Baselitz's work. Printed from two plates, the woodcut emphasizes the artist’s fascination with distortion and unconventional perspectives, encouraging viewers to re-evaluate traditional representations of form and space. The presence of the fir tree adds a subtle narrative layer, blending natural elements with human figures to explore themes of connection and isolation.
Man and Woman III (with fir tree), 1985
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98 x 66.3 cm
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Details
Artist
Styles
Woodcut, printed from two plates - 65 x 49 cm, woodblock; 98x66,3 cm- sheet size - With light margin and a small tear at lower right corner, very nice impression. // Georg Baselitz's Man and Woman III (with Fir Tree) (1985) is a compelling woodcut that exemplifies his raw and expressive style. This limited edition print, measuring 98 x 66.3 cm, presents two figures inverted in a bold, monochromatic composition. The rough, textured lines capture a sense of emotional intensity and disorientation, a hallmark of Baselitz's work. Printed from two plates, the woodcut emphasizes the artist’s fascination with distortion and unconventional perspectives, encouraging viewers to re-evaluate traditional representations of form and space. The presence of the fir tree adds a subtle narrative layer, blending natural elements with human figures to explore themes of connection and isolation.
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Georg Baselitz
Man And Woman III (with Fir Tree), 1985
Limited Edition Print
Woodcut
Currently Not Available
What is Art Brut?
Art Brut, a French term meaning Raw Art, was coined by Jean Dubuffet to describe art created outside the conventional fine arts tradition. Dubuffet used the term to refer to works made by self-taught artists, including the mentally ill, prisoners, and others on the margins of society. He also called it Outsider Art. This art is characterized by its raw, unrefined nature, often created without concern for traditional presentation or imitation.
