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Woodcut, printed from two plates - 65 x 49 cm, woodblock; 98x66,3 cm- sheet size - With light margin and a small tear at lower right corner, very nice impression. // Georg Baselitz's Man and Woman III (with Fir Tree) (1985) is a compelling woodcut that exemplifies his raw and expressive style. This limited edition print, measuring 98 x 66.3 cm, presents two figures inverted in a bold, monochromatic composition. The rough, textured lines capture a sense of emotional intensity and disorientation, a hallmark of Baselitz's work. Printed from two plates, the woodcut emphasizes the artist’s fascination with distortion and unconventional perspectives, encouraging viewers to re-evaluate traditional representations of form and space. The presence of the fir tree adds a subtle narrative layer, blending natural elements with human figures to explore themes of connection and isolation.
Man and Woman III (with fir tree), 1985
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98 x 66.3 cm
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Details
Artist
Styles
Woodcut, printed from two plates - 65 x 49 cm, woodblock; 98x66,3 cm- sheet size - With light margin and a small tear at lower right corner, very nice impression. // Georg Baselitz's Man and Woman III (with Fir Tree) (1985) is a compelling woodcut that exemplifies his raw and expressive style. This limited edition print, measuring 98 x 66.3 cm, presents two figures inverted in a bold, monochromatic composition. The rough, textured lines capture a sense of emotional intensity and disorientation, a hallmark of Baselitz's work. Printed from two plates, the woodcut emphasizes the artist’s fascination with distortion and unconventional perspectives, encouraging viewers to re-evaluate traditional representations of form and space. The presence of the fir tree adds a subtle narrative layer, blending natural elements with human figures to explore themes of connection and isolation.
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Georg Baselitz
Man And Woman III (with Fir Tree), 1985
Limited Edition Print
Woodcut
Currently Not Available
What is new figuration?
Neo-Figurative Art is a collective term that refers to the revival of figurative art in America and Europe during the 1960s, following a period dominated by abstraction. Michel Ragon, a French art critic, argued that this resurgence of figuration occurred during a critical time of social and political upheaval in both regions.
