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Screen print, printed on 490 gram smooth custom paper // Feng Zhengjie’s Chinese Portrait (b) continues his exploration of contemporary Chinese identity through vivid, surreal portraiture. This screen-print features a stylized female figure with intense red hair and lips, set against a contrasting background with a neon glow effect. The figure’s pale face and unfocused, almost ethereal eyes lend an air of mystery and detachment, challenging conventional depictions of beauty. The bold color palette and smooth, exaggerated forms invoke a pop-art aesthetic, critiquing societal ideals and exploring themes of identity and superficiality in modern culture. Limited to an edition of 200, this work exemplifies Feng’s signature style, merging traditional elements with a critical view of contemporary standards.
Chinese Portrait (b), 2008
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81 x 81 cm
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Details
Artist
Styles
Screen print, printed on 490 gram smooth custom paper // Feng Zhengjie’s Chinese Portrait (b) continues his exploration of contemporary Chinese identity through vivid, surreal portraiture. This screen-print features a stylized female figure with intense red hair and lips, set against a contrasting background with a neon glow effect. The figure’s pale face and unfocused, almost ethereal eyes lend an air of mystery and detachment, challenging conventional depictions of beauty. The bold color palette and smooth, exaggerated forms invoke a pop-art aesthetic, critiquing societal ideals and exploring themes of identity and superficiality in modern culture. Limited to an edition of 200, this work exemplifies Feng’s signature style, merging traditional elements with a critical view of contemporary standards.
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What is appropriation?
Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.
