Sam Francis

Untitled, 1984

106.7 X 73 inch

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Chromadynamica 33

Felipe Pantone Subtractive Variability 4 print on aluminium dense vertical lines forming colorful gradient bands and optical vibration

Unique digital painting. Print on Aluminium. Signed in marker, at the back. Felipe Pantone’s Subtractive Variability #4 (2018) is a unique digital composition printed on aluminum that transforms color into a dynamic, vibrating field. The surface is structured through dense vertical lines that modulate across horizontal bands, producing shifting gradients and optical interference effects. Bright hues—reds, yellows, blues—blend and fracture into darker passages, creating a sense of movement and digital flux. Rooted in Pantone’s exploration of light, perception, and data, the work echoes both Op Art and contemporary screen-based imagery. The rigid system of lines contrasts with the fluid transitions of color, suggesting a balance between algorithmic control and visual instability.

Artwork Copyright © Felipe Pantone

Subtractive Variability #4, 2018

form

Medium

Edition

Unique digital painting. Print on Aluminium. Signed in marker, at the back. Felipe Pantone’s Subtractive Variability #4 (2018) is a unique digital composition printed on aluminum that transforms color into a dynamic, vibrating field. The surface is structured through dense vertical lines that modulate across horizontal bands, producing shifting gradients and optical interference effects. Bright hues—reds, yellows, blues—blend and fracture into darker passages, creating a sense of movement and digital flux. Rooted in Pantone’s exploration of light, perception, and data, the work echoes both Op Art and contemporary screen-based imagery. The rigid system of lines contrasts with the fluid transitions of color, suggesting a balance between algorithmic control and visual instability.

Artwork Copyright © Felipe Pantone

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What is geometric abstract art?

Geometric abstraction is a form of abstract art that uses geometric shapes arranged in a non-illusionistic space (though not always) and combined into non-representational (non-objective) compositions. Based on years of artistic research, some artists have proposed that geometric abstraction offers a solution to modern challenges by rejecting traditional illusionistic practices in favor of clarity and simplicity.

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