
Details
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Original etching with aquatint on Arches Cover paper - Published by Tyler Graphics Ltd. Mount Kisco New York - Signed and numbered in pencil - With the blindstamp of the printer and publisher - -Plate: 41.3 by 35.6 cm - 16.25 by 14 in - Sheet: 80.3 by 71 cm 31.5 by 28 in // Ellsworth Kelly's Wall (AXSOM 177), produced between 1976 and 1979, is a striking example of minimalism and abstract art. Created using etching and aquatint on Arches Cover paper, this limited edition print features a bold black square floating slightly above a thin white strip at the bottom, creating a stark contrast against the surrounding blank space. Kelly's work emphasizes the purity of form, line, and space, inviting contemplation of simplicity and balance. Published by Tyler Graphics Ltd. in Mount Kisco, New York, and bearing the artist's signature and numbering, this piece embodies Kelly’s dedication to exploring visual harmony and the essence of geometric abstraction.
Wall (AXSOM 177), 1976-1979
form
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80 x 53.3 cm
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Details
Artist
Styles
Original etching with aquatint on Arches Cover paper - Published by Tyler Graphics Ltd. Mount Kisco New York - Signed and numbered in pencil - With the blindstamp of the printer and publisher - -Plate: 41.3 by 35.6 cm - 16.25 by 14 in - Sheet: 80.3 by 71 cm 31.5 by 28 in // Ellsworth Kelly's Wall (AXSOM 177), produced between 1976 and 1979, is a striking example of minimalism and abstract art. Created using etching and aquatint on Arches Cover paper, this limited edition print features a bold black square floating slightly above a thin white strip at the bottom, creating a stark contrast against the surrounding blank space. Kelly's work emphasizes the purity of form, line, and space, inviting contemplation of simplicity and balance. Published by Tyler Graphics Ltd. in Mount Kisco, New York, and bearing the artist's signature and numbering, this piece embodies Kelly’s dedication to exploring visual harmony and the essence of geometric abstraction.
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What is Colour Field Painting?
Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.