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Published by Gemini G.E.L. Los Angeles - Suite: States of the River - Lithograph on Arches Cover Paper // Richard Diebenkorn’s Softground Cross, from Four Softgrounds (1982) is an etching that showcases his minimalist approach to line and composition. Created using softground etching and drypoint techniques on Rives BFK paper, the print is defined by a series of intersecting and parallel lines that form a grid-like structure. The subtle variations in line thickness and texture, along with traces of incidental marks, give the composition a sense of depth and a feeling of imperfection that contrasts with the rigidity of the grid. This piece, measuring 45.4 x 60 cm on a sheet size of 67 x 102 cm, was published by Crown Point Press in San Francisco. Limited to an edition of 35 with 10 artist’s proofs (AP), it reflects Diebenkorn's exploration of spatial ambiguity and balance within a confined framework.
The Thames, 2005
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114.9 x 81.3 cm
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Published by Gemini G.E.L. Los Angeles - Suite: States of the River - Lithograph on Arches Cover Paper // Richard Diebenkorn’s Softground Cross, from Four Softgrounds (1982) is an etching that showcases his minimalist approach to line and composition. Created using softground etching and drypoint techniques on Rives BFK paper, the print is defined by a series of intersecting and parallel lines that form a grid-like structure. The subtle variations in line thickness and texture, along with traces of incidental marks, give the composition a sense of depth and a feeling of imperfection that contrasts with the rigidity of the grid. This piece, measuring 45.4 x 60 cm on a sheet size of 67 x 102 cm, was published by Crown Point Press in San Francisco. Limited to an edition of 35 with 10 artist’s proofs (AP), it reflects Diebenkorn's exploration of spatial ambiguity and balance within a confined framework.
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What is Hard Edge Art?
Hard Edge art is a style of abstract painting that became popular in the 1960s. It features areas of color separated by crisp, sharp edges that are painted with geometric precision. The term hard-edge painting was coined by art critic Jules Langsner to describe this approach, which contrasts with the softer, more fluid forms of other abstract styles.
