Details
Artist
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From Suite of Plant Lithographs - Lithograph on white Rives BFK paper - Signed and Numbered // Ellsworth Kelly’s Melon Leaf (Feuille de melon) is a minimalist lithograph from his renowned suite of plant lithographs. Rendered in delicate, continuous lines, this piece highlights Kelly’s focus on the simplicity of organic forms. The central shape, a large melon leaf, is outlined in a clean, fluid line that captures its natural elegance, while smaller, subtle forms in the background echo its contours. Printed on white Rives BFK paper, the lithograph reflects Kelly’s characteristic restraint and balance, focusing solely on the essence of the subject without unnecessary detail. Signed and numbered, this limited edition print exemplifies Kelly’s dedication to form and line, creating a harmonious representation of nature's beauty.
Melon Leaf (Feuille de melon), 1965-66
form
Medium
Size
90.5 x 62.9 cm
- Inches
- Centimeters
Edition
Price
Details
Artist
Styles
From Suite of Plant Lithographs - Lithograph on white Rives BFK paper - Signed and Numbered // Ellsworth Kelly’s Melon Leaf (Feuille de melon) is a minimalist lithograph from his renowned suite of plant lithographs. Rendered in delicate, continuous lines, this piece highlights Kelly’s focus on the simplicity of organic forms. The central shape, a large melon leaf, is outlined in a clean, fluid line that captures its natural elegance, while smaller, subtle forms in the background echo its contours. Printed on white Rives BFK paper, the lithograph reflects Kelly’s characteristic restraint and balance, focusing solely on the essence of the subject without unnecessary detail. Signed and numbered, this limited edition print exemplifies Kelly’s dedication to form and line, creating a harmonious representation of nature's beauty.
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What is Hard Edge Art?
Hard Edge art is a style of abstract painting that became popular in the 1960s. It features areas of color separated by crisp, sharp edges that are painted with geometric precision. The term hard-edge painting was coined by art critic Jules Langsner to describe this approach, which contrasts with the softer, more fluid forms of other abstract styles.
