Details
Artist
Styles
Lithograph in colors on wove paper - Signed in pencil and numbered 'SP 10/11' (a special proof, aside from the edition of 45) - Published by Gemini, G.E.L., Los Angeles // Ellsworth Kelly's Dartmouth (2011) is a limited edition lithograph featuring a minimalist geometric composition. Published by Gemini G.E.L. and printed on wove paper, this work measures 35.6 x 72.4 cm. It displays a sequence of five vertical rectangles, each rendered in a vibrant color: yellow, green, blue, red, and orange. The simple, bold arrangement of these primary and secondary hues showcases Kelly's mastery in creating visual energy and balance through minimalism. The use of pure color and form emphasizes the vibrancy and rhythmic harmony of the piece, reflecting Kelly's dedication to abstraction and spatial dynamics. Dartmouth is a perfect representation of Kelly’s aesthetic and an ideal addition for modern and contemporary art enthusiasts.
Dartmouth, 2011
form
Medium
Size
35.6 x 72.4 cm
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Edition
Price
Details
Artist
Styles
Lithograph in colors on wove paper - Signed in pencil and numbered 'SP 10/11' (a special proof, aside from the edition of 45) - Published by Gemini, G.E.L., Los Angeles // Ellsworth Kelly's Dartmouth (2011) is a limited edition lithograph featuring a minimalist geometric composition. Published by Gemini G.E.L. and printed on wove paper, this work measures 35.6 x 72.4 cm. It displays a sequence of five vertical rectangles, each rendered in a vibrant color: yellow, green, blue, red, and orange. The simple, bold arrangement of these primary and secondary hues showcases Kelly's mastery in creating visual energy and balance through minimalism. The use of pure color and form emphasizes the vibrancy and rhythmic harmony of the piece, reflecting Kelly's dedication to abstraction and spatial dynamics. Dartmouth is a perfect representation of Kelly’s aesthetic and an ideal addition for modern and contemporary art enthusiasts.
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What is Colour Field Painting?
Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.
