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Lithograph in colors , Rives BFK paper - From Suite of Twenty-Seven Color Lithographs - Signed and numbered in pencil - Published by Maeght, Paris - Literature: Richard Axsom 18 // Dark Blue and Red (Bleu Foncé et Rouge) by Ellsworth Kelly is a striking lithograph from 1964-1965, part of a suite of twenty-seven color lithographs. This minimalist composition consists of two bold, slightly irregular squares of solid color—one in deep blue and the other in bright red—placed side by side, almost touching. The simplicity of form and the intensity of color are characteristic of Kelly’s exploration of pure abstraction, where color and shape are the central elements. Printed on Rives BFK paper and signed by the artist, this work exemplifies Kelly’s mastery of creating dynamic visual impact with minimalistic design, emphasizing balance, harmony, and contrast.
Dark Blue and Red (Bleu Foncé et Rouge), 1964 -1965
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60 x 89.5 cm
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Details
Artist
Styles
Lithograph in colors , Rives BFK paper - From Suite of Twenty-Seven Color Lithographs - Signed and numbered in pencil - Published by Maeght, Paris - Literature: Richard Axsom 18 // Dark Blue and Red (Bleu Foncé et Rouge) by Ellsworth Kelly is a striking lithograph from 1964-1965, part of a suite of twenty-seven color lithographs. This minimalist composition consists of two bold, slightly irregular squares of solid color—one in deep blue and the other in bright red—placed side by side, almost touching. The simplicity of form and the intensity of color are characteristic of Kelly’s exploration of pure abstraction, where color and shape are the central elements. Printed on Rives BFK paper and signed by the artist, this work exemplifies Kelly’s mastery of creating dynamic visual impact with minimalistic design, emphasizing balance, harmony, and contrast.
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Who are the American Abstract Artists (AAA) ?
American Abstract Artists (AAA) is an organization founded in New York City in 1936 to promote abstract art and its appreciation in the United States. At a time when abstract art faced strong opposition from critics, the AAA provided crucial exhibition opportunities for abstract artists, helping to foster the growth and acceptance of the movement.