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Lithograph with embossing on BFK Rives. Image: 29 h × 22 w in (74 × 56 cm). Sheet: 41 h × 34 w in (104 × 86 cm). Signed and numbered to lower right; with publisher's blindstamp and ink stamp. Printed and published by Gemini G.E.L., Los Angeles. Literature: Axsom 116 | Gemini 672. Conques (from the Third Curve series) (1976) by Ellsworth Kelly is a refined lithograph with embossing, printed on BFK Rives paper. The composition presents a stark black rectangle whose lower edge curves subtly, introducing a gentle asymmetry within an otherwise minimal form. The contrast between the solid black and the untouched white paper heightens the formal clarity and optical balance. Characteristic of Kelly’s exploration of shape, space, and perception, this work plays with how a slight curve can transform the emotional and spatial reading of a geometric form. Printed as printer’s proof 2 outside the edition of 16, and published by Gemini G.E.L., this piece belongs to Kelly’s Third Curve series, where abstraction meets architectural elegance.
Conques (from the Third Curve series), 1976
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Medium
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104 x 86 cm
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Details
Artist
Styles
Lithograph with embossing on BFK Rives. Image: 29 h × 22 w in (74 × 56 cm). Sheet: 41 h × 34 w in (104 × 86 cm). Signed and numbered to lower right; with publisher's blindstamp and ink stamp. Printed and published by Gemini G.E.L., Los Angeles. Literature: Axsom 116 | Gemini 672. Conques (from the Third Curve series) (1976) by Ellsworth Kelly is a refined lithograph with embossing, printed on BFK Rives paper. The composition presents a stark black rectangle whose lower edge curves subtly, introducing a gentle asymmetry within an otherwise minimal form. The contrast between the solid black and the untouched white paper heightens the formal clarity and optical balance. Characteristic of Kelly’s exploration of shape, space, and perception, this work plays with how a slight curve can transform the emotional and spatial reading of a geometric form. Printed as printer’s proof 2 outside the edition of 16, and published by Gemini G.E.L., this piece belongs to Kelly’s Third Curve series, where abstraction meets architectural elegance.
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What is Colour Field Painting?
Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.
