Sam Francis

Untitled, 1984

106.7 X 73 inch

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Zoot Suit

Ed Ruscha, Wall Rocket, 2013, lithograph featuring bold white text over a mountainous landscape in blue, gray, and yellow tones.

- Hand-signed // Ed Ruscha’s Wall Rocket (2013) is a lithograph that blends text and landscape imagery in his characteristic style. The artwork features the phrase WALL ROCKET in bold, white capital letters overlaid on a mountainous backdrop rendered in cool tones of blue, gray, and hints of yellow. The text stands prominently against the snow-covered peaks, creating a stark contrast that draws the viewer’s eye. This juxtaposition of text and natural scenery is a signature element in Ruscha’s work, encouraging viewers to contemplate the relationship between language and visual imagery. The lithograph is hand-signed by the artist, emphasizing its authenticity and importance as a part of his limited edition collection.

Artwork Copyright © Ed Ruscha

Wall Rocket, 2013

form

Medium

Edition

- Hand-signed // Ed Ruscha’s Wall Rocket (2013) is a lithograph that blends text and landscape imagery in his characteristic style. The artwork features the phrase WALL ROCKET in bold, white capital letters overlaid on a mountainous backdrop rendered in cool tones of blue, gray, and hints of yellow. The text stands prominently against the snow-covered peaks, creating a stark contrast that draws the viewer’s eye. This juxtaposition of text and natural scenery is a signature element in Ruscha’s work, encouraging viewers to contemplate the relationship between language and visual imagery. The lithograph is hand-signed by the artist, emphasizing its authenticity and importance as a part of his limited edition collection.

Artwork Copyright © Ed Ruscha

Ed Ruscha

Sponge Puddle, 2015

Limited Edition Print

Lithograph

USD 42,000 - 50,000

Ed Ruscha

History Kids, 2013

Limited Edition Print

Lithograph

USD 50,000 - 60,000

Ed Ruscha

Wall Rocket, 2013

Limited Edition Print

Lithograph

USD 70,000 - 80,000

Ed Ruscha

Zoot Suit, 2014

Limited Edition Print

Etching

USD 15,500

Ed Ruscha

Wen Out For Cigrets N Never Came Back, 2017

Sculpture / Object

Bronze

USD 150,000 - 170,000

Ed Ruscha

Sin - Without, 2002

Limited Edition Print

Lithograph

USD 50,000 - 60,000

Ed Ruscha

GOD, 2010

Limited Edition Print

Photograph

EUR 6,000

Ed Ruscha

Castiron Calendar, 2023

Limited Edition Print

Mixed Media

Inquire For Price

Ed Ruscha

Cash For Tolls 1 (from Rusty Signs), 2014

Limited Edition Print

Mixed Media

USD 20,000 - 25,000

Ed Ruscha

Cash For Tolls 2 (from Rusty Signs), 2014

Limited Edition Print

Mixed Media

USD 20,000 - 25,000

Ed Ruscha

Dead End II (from Rusty Signs), 2014

Limited Edition Print

Mixed Media

USD 20,000 - 25,000

Ed Ruscha

Dead End III (from Rusty Signs), 2014

Limited Edition Print

Mixed Media

USD 20,000 - 25,000

Ed Ruscha

For Sale 17 Acres (from Rusty Signs), 2014

Limited Edition Print

Mixed Media

USD 20,000 - 25,000

Ed Ruscha

Sin, 1970

Limited Edition Print

Lithograph

USD 20,000 - 30,000

Ed Ruscha

Angel, 2014

Limited Edition Print

Lithograph

USD 14,800

Ed Ruscha

Rubber Bands (State II), 2017

Limited Edition Print

Lithograph

Inquire For Price

Ed Ruscha

Mysteries, 2021

Limited Edition Print

Lithograph

USD 60,000 - 80,000

Ed Ruscha

Ex Libris, 2018

Limited Edition Print

Lithograph

USD 6,100

Ed Ruscha

Open Book With Worm Holes, 2012

Limited Edition Print

Lithograph

USD 12,000

Ed Ruscha

Books, 2001

Limited Edition Print

Photograph

USD 18,000

Ed Ruscha

Thinks I, To Myself, 2016

Limited Edition Print

Lithograph

USD 17,900

Ed Ruscha

Turbo Tears, 2020

Limited Edition Print

Lithograph

USD 23,000 - 25,000

Ed Ruscha

Flies And Frog, 1969

Limited Edition Print

Lithograph

USD 6,900

Ed Ruscha

Science Is Truth Found Out, 2022

Limited Edition Print

Mixed Media

USD 2,450

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What is New Topographics?

New Topographics is a term coined in 1975 by curator William Jenkins to describe a group of photographers whose work focused on formal black-and-white images of urban and industrial landscapes. Jenkins initially described their aesthetic as banal, but the photographers themselves argued that their compositions were as significant as those of natural landscapes, emphasizing the beauty in everyday, man-made environments.

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