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Lithograph // Ed Ruscha’s Open Book With Worm Holes (2012) is a minimalist lithograph that plays with the concept of literature and decay. The artwork depicts an open book, its pages stark white, interrupted only by a series of small, scattered worm holes punctuating the surface. The simplicity of the composition highlights Ruscha’s fascination with books and text, yet the inclusion of worm holes suggests themes of impermanence and time's effects on objects of knowledge. The restrained color palette—dominated by white and subtle brown hues for the book’s cover—emphasizes the conceptual nature of the piece. Produced in an edition of 90, the lithograph invites viewers to consider the fragility and transience of information and objects that seem permanent.
Open Book With Worm Holes, 2012
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43.2 x 58.4 cm
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Details
Artist
Styles
Lithograph // Ed Ruscha’s Open Book With Worm Holes (2012) is a minimalist lithograph that plays with the concept of literature and decay. The artwork depicts an open book, its pages stark white, interrupted only by a series of small, scattered worm holes punctuating the surface. The simplicity of the composition highlights Ruscha’s fascination with books and text, yet the inclusion of worm holes suggests themes of impermanence and time's effects on objects of knowledge. The restrained color palette—dominated by white and subtle brown hues for the book’s cover—emphasizes the conceptual nature of the piece. Produced in an edition of 90, the lithograph invites viewers to consider the fragility and transience of information and objects that seem permanent.
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What is New Topographics?
New Topographics is a term coined in 1975 by curator William Jenkins to describe a group of photographers whose work focused on formal black-and-white images of urban and industrial landscapes. Jenkins initially described their aesthetic as banal, but the photographers themselves argued that their compositions were as significant as those of natural landscapes, emphasizing the beauty in everyday, man-made environments.