Sam Francis

Untitled, 1984

106.7 X 73 inch

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That Was Then This Is Now

Ed Ruscha | ooo | Lithograph available for sale on www.composition.gallery

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Lithograph in colors on wove paper. Signed by the artist in pencil, numbered and dated . 20 x 28 in (51.5 cm x 71.9 cm), unframed. Edition of 90

Artwork Copyright © Ed Ruscha

Ed Ruscha

ooo, 1970

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51.5 x 71.9   cm
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Lithograph in colors on wove paper. Signed by the artist in pencil, numbered and dated . 20 x 28 in (51.5 cm x 71.9 cm), unframed. Edition of 90

Artwork Copyright © Ed Ruscha
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Ed Ruscha, Sponge Puddle, lithograph, mountain range with bold geometric text over a dusky sky

Ed Ruscha

Sponge Puddle, 2015

Limited Edition Print

Lithograph

USD 42,000 - 50,000

Ed Ruscha, History Kids, 2013, lithograph of a snow-covered mountain with bold white text HISTORY KIDS overlaid on a colorful sky.

Ed Ruscha

History Kids, 2013

Limited Edition Print

Lithograph

USD 50,000 - 60,000

Ed Ruscha, Wall Rocket, 2013, lithograph featuring bold white text over a mountainous landscape in blue, gray, and yellow tones.

Ed Ruscha

Wall Rocket, 2013

Limited Edition Print

Lithograph

USD 70,000 - 80,000

Ed Ruscha's Zoot Suit, etching in red with vertically stretched text reading Zoot Suit across two panels, minimalist typography style.

Ed Ruscha

Zoot Suit, 2014

Limited Edition Print

Etching

USD 15,500

Ed Ruscha, Wen Out For Cigrets N Never Came Back, bronze sculpture shaped like a circular open-ended pipe with inscribed text.

Ed Ruscha

Wen Out For Cigrets N Never Came Back, 2017

Sculpture / Object

Bronze

USD 150,000 - 170,000

Ed Ruscha's GOD, 2010 LightJet digital photograph, metallic oval-shaped form with smooth surface, signed edition of 50.

Ed Ruscha

GOD, 2010

Limited Edition Print

Photograph

EUR 6,000

Ed Ruscha's Castiron Calendar print, white industrial-style text on sepia background with stenciled, weathered effect.

Ed Ruscha

Castiron Calendar, 2023

Limited Edition Print

Mixed Media

Inquire For Price

Ed Ruscha's Cash for Tolls 1, 2014 mixographia print, features rust-textured surface with bold text in block letters, mimicking a corroded metal sign.

Ed Ruscha

Cash For Tolls 1 (from Rusty Signs), 2014

Limited Edition Print

Mixed Media

USD 20,000 - 25,000

Ed Ruscha's Cash for Tolls 2, 2014 mixographia print, mimics a rusted metal sign with bold text reading CASH FOR TOOLS embossed in block letters.

Ed Ruscha

Cash For Tolls 2 (from Rusty Signs), 2014

Limited Edition Print

Mixed Media

USD 20,000 - 25,000

Ed Ruscha's Dead End II, 2014 mixographia print, mimics a rusted street sign with bold block letters spelling DEAD END, emphasizing texture and decay.

Ed Ruscha

Dead End II (from Rusty Signs), 2014

Limited Edition Print

Mixed Media

USD 20,000 - 25,000

Ed Ruscha's Dead End III, 2014 mixographia print, simulates a rusted metal sign with bold block letters spelling DEAD END and textured, weathered surface details.

Ed Ruscha

Dead End III (from Rusty Signs), 2014

Limited Edition Print

Mixed Media

USD 20,000 - 25,000

Ed Ruscha's For Sale 17 Acres, 2014 mixographia print, depicts a rusted metal sign with bold text reading FOR SALE 17 ACRES embossed on a textured surface.

Ed Ruscha

For Sale 17 Acres (from Rusty Signs), 2014

Limited Edition Print

Mixed Media

USD 20,000 - 25,000

Ed Ruscha's Sin, lithograph, abstract folded forms and cylinder shapes on gradient background with small red and green sphere.

Ed Ruscha

Sin, 1970

Limited Edition Print

Lithograph

USD 20,000 - 30,000

Ed Ruscha, Angel, lithograph, the word Angel in soft font over a blue and white gradient background resembling the sky.

Ed Ruscha

Angel, 2014

Limited Edition Print

Lithograph

USD 14,800

Ed Ruscha, Rubber Bands (State II), lithograph with blue text on buff background, hazy font reading RUBBER BANDS STRETCH REAL FAR UNTIL THEY DON'T.

Ed Ruscha

Rubber Bands (State II), 2017

Limited Edition Print

Lithograph

Inquire For Price

Ed Ruscha's Mysteries, 2021, lithograph featuring bold white text on a red sky background with overlapping yellow and blue text for depth.

Ed Ruscha

Mysteries, 2021

Limited Edition Print

Lithograph

USD 60,000 - 80,000

Ed Ruscha Ex Libris lithograph, bold white text framed by ornate black design on a red-to-blue gradient background.

Ed Ruscha

Ex Libris, 2018

Limited Edition Print

Lithograph

USD 6,100

Ed Ruscha Open Book With Worm Holes lithograph showing an open book with scattered small holes across white pages, emphasizing minimalism.

Ed Ruscha

Open Book With Worm Holes, 2012

Limited Edition Print

Lithograph

USD 12,000

Ed Ruscha Books, a portfolio of five photographs showing close-up views of book spines and pages, mostly black and white with one in gold.

Ed Ruscha

Books, 2001

Limited Edition Print

Photograph

USD 18,000

Ed Ruscha, Thinks I, To Myself, 2016, lithograph with reddish-brown serif text fading into a brushstroke effect on a light background.

Ed Ruscha

Thinks I, To Myself, 2016

Limited Edition Print

Lithograph

USD 17,900

Ed Ruscha, Turbo Tears, 2020, lithograph with bold red text on a textured sandy background, resembling wood grain, hand-signed.

Ed Ruscha

Turbo Tears, 2020

Limited Edition Print

Lithograph

USD 23,000 - 25,000

Ed Ruscha's Flies and Frog, lithograph, scattered flies with blue border and a frog illustration in the bottom right, 1969.

Ed Ruscha

Flies And Frog, 1969

Limited Edition Print

Lithograph

USD 6,900

Ed Ruscha Science Is Truth Found Out print on silk twill with bold text over a blurred gradient from deep red to dark tones.

Ed Ruscha

Science Is Truth Found Out, 2022

Limited Edition Print

Mixed Media

USD 2,450

Ed Ruscha’s Metro Mattress #4, mixed-media print of two worn mattresses stacked on each other with stains and frayed edges.

Ed Ruscha

Metro Mattress #4, 2015/2017

Limited Edition Print

Mixed Media

EUR 2,500 - 4,000

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What is New Topographics?
Artwork by Bernd & Hilla Becher

What is New Topographics?

New Topographics is a term coined in 1975 by curator William Jenkins to describe a group of photographers whose work focused on formal black-and-white images of urban and industrial landscapes. Jenkins initially described their aesthetic as banal, but the photographers themselves argued that their compositions were as significant as those of natural landscapes, emphasizing the beauty in everyday, man-made environments.

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