Sam Francis

Untitled, 1984

106.7 X 73 inch

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Evil [Not For Sale]

Ed Ruscha's Now, lithograph, shows the word Now in bold letters casting a shadow on a blue-black gradient background.

Lithograph in blue-black on Rives BFK wove paper // Ed Ruscha’s Now (1990) is a limited edition lithograph that presents the word Now in bold, capital letters, casting a shadowy, fading presence against a backdrop of blue-black tones. The simplicity of the typography, paired with the gradation from light to dark, evokes a sense of immediacy while also suggesting the ephemeral nature of the present moment. The artwork highlights Ruscha's mastery in transforming language into visual art, turning a single word into a powerful statement about time and existence. The hazy quality of the shadow further emphasizes the fleeting, elusive nature of now, urging contemplation on the transitory essence of the current moment.

Artwork Copyright © Ed Ruscha

Now, 1990

form

Medium

Edition

Lithograph in blue-black on Rives BFK wove paper // Ed Ruscha’s Now (1990) is a limited edition lithograph that presents the word Now in bold, capital letters, casting a shadowy, fading presence against a backdrop of blue-black tones. The simplicity of the typography, paired with the gradation from light to dark, evokes a sense of immediacy while also suggesting the ephemeral nature of the present moment. The artwork highlights Ruscha's mastery in transforming language into visual art, turning a single word into a powerful statement about time and existence. The hazy quality of the shadow further emphasizes the fleeting, elusive nature of now, urging contemplation on the transitory essence of the current moment.

Artwork Copyright © Ed Ruscha

Ed Ruscha

Sponge Puddle, 2015

Limited Edition Print

Lithograph

USD 42,000 - 50,000

Ed Ruscha

History Kids, 2013

Limited Edition Print

Lithograph

USD 50,000 - 60,000

Ed Ruscha

Wall Rocket, 2013

Limited Edition Print

Lithograph

USD 70,000 - 80,000

Ed Ruscha

Zoot Suit, 2014

Limited Edition Print

Etching

USD 15,500

Ed Ruscha

Wen Out For Cigrets N Never Came Back, 2017

Sculpture / Object

Bronze

USD 150,000 - 170,000

Ed Ruscha

GOD, 2010

Limited Edition Print

Photograph

EUR 6,000

Ed Ruscha

Castiron Calendar, 2023

Limited Edition Print

Mixed Media

Inquire For Price

Ed Ruscha

Cash For Tolls 1 (from Rusty Signs), 2014

Limited Edition Print

Mixed Media

USD 20,000 - 25,000

Ed Ruscha

Cash For Tolls 2 (from Rusty Signs), 2014

Limited Edition Print

Mixed Media

USD 20,000 - 25,000

Ed Ruscha

Dead End II (from Rusty Signs), 2014

Limited Edition Print

Mixed Media

USD 20,000 - 25,000

Ed Ruscha

Dead End III (from Rusty Signs), 2014

Limited Edition Print

Mixed Media

USD 20,000 - 25,000

Ed Ruscha

For Sale 17 Acres (from Rusty Signs), 2014

Limited Edition Print

Mixed Media

USD 20,000 - 25,000

Ed Ruscha

Sin, 1970

Limited Edition Print

Lithograph

USD 20,000 - 30,000

Ed Ruscha

Angel, 2014

Limited Edition Print

Lithograph

USD 14,800

Ed Ruscha

Rubber Bands (State II), 2017

Limited Edition Print

Lithograph

Inquire For Price

Ed Ruscha

Mysteries, 2021

Limited Edition Print

Lithograph

USD 60,000 - 80,000

Ed Ruscha

Ex Libris, 2018

Limited Edition Print

Lithograph

USD 6,100

Ed Ruscha

Open Book With Worm Holes, 2012

Limited Edition Print

Lithograph

USD 12,000

Ed Ruscha

Books, 2001

Limited Edition Print

Photograph

USD 18,000

Ed Ruscha

Thinks I, To Myself, 2016

Limited Edition Print

Lithograph

USD 17,900

Ed Ruscha

Turbo Tears, 2020

Limited Edition Print

Lithograph

USD 23,000 - 25,000

Ed Ruscha

Flies And Frog, 1969

Limited Edition Print

Lithograph

USD 6,900

Ed Ruscha

Science Is Truth Found Out, 2022

Limited Edition Print

Mixed Media

USD 2,450

Ed Ruscha

Metro Mattress #4, 2015/2017

Limited Edition Print

Mixed Media

EUR 2,500 - 4,000

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What is New Topographics?

New Topographics is a term coined in 1975 by curator William Jenkins to describe a group of photographers whose work focused on formal black-and-white images of urban and industrial landscapes. Jenkins initially described their aesthetic as banal, but the photographers themselves argued that their compositions were as significant as those of natural landscapes, emphasizing the beauty in everyday, man-made environments.

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