Details
Artist
Styles
Mixographia print on handmade paper // Cash for Tolls 2 (from Rusty Signs) by Ed Ruscha, created in 2014, is part of his Rusty Signs series and is a mixographia print on handmade paper. This piece, like others in the series, mimics the texture and appearance of corroded metal, giving it a rugged, industrial feel. The words CASH FOR TOOLS are embossed in bold, geometric letters, creating a stark visual impact. The rust-like texture and distressed surface add a layer of authenticity, evoking the aesthetic of worn, vintage signage. Ruscha’s choice to present everyday phrases in such a format highlights the intersection of language, art, and commercialism, a recurring theme in his work. Limited to 50 editions with 10 artist’s proofs, this print combines the tactile experience of handmade materials with the conceptual depth of Ruscha's commentary on consumer culture and the art of signage.
Cash for Tolls 2 (from Rusty Signs), 2014
form
Medium
Size
61 x 61 cm
- Inches
- Centimeters
Edition
Range
- USD
- EUR
- GBP
Details
Artist
Styles
Mixographia print on handmade paper // Cash for Tolls 2 (from Rusty Signs) by Ed Ruscha, created in 2014, is part of his Rusty Signs series and is a mixographia print on handmade paper. This piece, like others in the series, mimics the texture and appearance of corroded metal, giving it a rugged, industrial feel. The words CASH FOR TOOLS are embossed in bold, geometric letters, creating a stark visual impact. The rust-like texture and distressed surface add a layer of authenticity, evoking the aesthetic of worn, vintage signage. Ruscha’s choice to present everyday phrases in such a format highlights the intersection of language, art, and commercialism, a recurring theme in his work. Limited to 50 editions with 10 artist’s proofs, this print combines the tactile experience of handmade materials with the conceptual depth of Ruscha's commentary on consumer culture and the art of signage.
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What is pop-art?
Pop Art is an art movement that began in Britain in 1955 and in the late 1950s in the U.S. It challenged traditional fine arts by incorporating imagery from popular culture, such as news, advertising, and comic books. Pop Art often isolates and recontextualizes materials, combining them with unrelated elements. The movement is more about the attitudes and ideas that inspired it than the specific art itself. Pop Art is seen as a reaction against the dominant ideas of Abstract Expressionism, bringing everyday consumer culture into the realm of fine art.
