Sam Francis

Untitled, 1984

106.7 X 73 inch

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Suzhou I

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Screenprint in colors on Somerset Velvet paper - Executed in 2000 - Published by Gemini G.E.L., Los Angeles. - Signed, numbered and dated lower margin and blindstamped with the publisher's mark lower right - Image 8 1/2 x 13 in. (21.6 x 33 cm.); Sheet 23 3/8 x 19 in. (59.4 x 48.3 cm.) // Brice Marden’s Distant Muses (2000) is a limited edition screen print that showcases an intricate web of curving lines in soft, earthy tones on Somerset Velvet paper. The lines interlace and overlap, creating a mesmerizing abstract composition that feels both organic and controlled. Marden’s use of muted colors—predominantly reds, greens, and grays—adds a sense of subtlety to the dynamic, flowing forms, allowing the viewer's eye to wander through the maze-like pattern. The print, measuring 21.6 x 33 cm for the image and 59.4 x 48.3 cm for the sheet, reflects Marden’s exploration of rhythm and repetition, inviting viewers to contemplate the quiet harmony within complexity. This piece, published by Gemini G.E.L. in Los Angeles, is signed, numbered, and dated by the artist, with the publisher’s mark stamped in the lower margin.

Artwork Copyright © Brice Marden

Distant Muses, 2000

form

Medium

Edition

Screenprint in colors on Somerset Velvet paper - Executed in 2000 - Published by Gemini G.E.L., Los Angeles. - Signed, numbered and dated lower margin and blindstamped with the publisher's mark lower right - Image 8 1/2 x 13 in. (21.6 x 33 cm.); Sheet 23 3/8 x 19 in. (59.4 x 48.3 cm.) // Brice Marden’s Distant Muses (2000) is a limited edition screen print that showcases an intricate web of curving lines in soft, earthy tones on Somerset Velvet paper. The lines interlace and overlap, creating a mesmerizing abstract composition that feels both organic and controlled. Marden’s use of muted colors—predominantly reds, greens, and grays—adds a sense of subtlety to the dynamic, flowing forms, allowing the viewer's eye to wander through the maze-like pattern. The print, measuring 21.6 x 33 cm for the image and 59.4 x 48.3 cm for the sheet, reflects Marden’s exploration of rhythm and repetition, inviting viewers to contemplate the quiet harmony within complexity. This piece, published by Gemini G.E.L. in Los Angeles, is signed, numbered, and dated by the artist, with the publisher’s mark stamped in the lower margin.

Artwork Copyright © Brice Marden

Brice Marden

Cold Mountain, 1991

Limited Edition Print

Etching And Aquatint

Currently Not Available

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What is Process Art?

Process Art is an artistic movement and creative approach where the focus is on the act of creation rather than the final product. The term process in this context refers to the various stages of art-making, including gathering, sorting, associating, and organizing materials and actions. This movement emphasizes the artistic journey and the human expression involved in creating art, rather than the finished piece itself. Process Art is driven by inherent motivation, intentionality, and the rationale behind the actions, viewing the creative process as the true artwork.

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