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Screenprint in colours. Unsigned, numbered, and blind stamped. // An elderly figure sits alone on a park bench, cane in hand, hunched in stencilled black at the far left of a near-empty composition; across a bare grey horizon, a dark, scribbled burst disrupts the calm. Pared to white, grey and black, the print subverts the placid English seaside scene with Banksy's trademark unease and economy. Numbered and blind-stamped, this early screenprint nods to the artist's home region around Weston-super-Mare. Spare, melancholic and quietly subversive, it captures the wit and social edge that made Banksy a global phenomenon, a desirable early work for the discerning collector.
Western Super Mare, 2003
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35 x 100 cm
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Details
Artist
Styles
Screenprint in colours. Unsigned, numbered, and blind stamped. // An elderly figure sits alone on a park bench, cane in hand, hunched in stencilled black at the far left of a near-empty composition; across a bare grey horizon, a dark, scribbled burst disrupts the calm. Pared to white, grey and black, the print subverts the placid English seaside scene with Banksy's trademark unease and economy. Numbered and blind-stamped, this early screenprint nods to the artist's home region around Weston-super-Mare. Spare, melancholic and quietly subversive, it captures the wit and social edge that made Banksy a global phenomenon, a desirable early work for the discerning collector.
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What is site specific art?
Site-Specific Art is a form of artwork created to exist in a particular location, with the artist considering the site as an integral part of the creative process. Robert Irwin was a key figure in promoting this art form in California. Site-Specific Art emerged as a reaction against modernist objects, which were often portable, commodified, and confined to museum spaces. In contrast, Site-Specific Art is inherently tied to its location, challenging the traditional notions of art as a transportable and marketable commodity.
