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Screenprint in colours. Unsigned, numbered, and blind stamped. // An elderly figure sits alone on a park bench, cane in hand, hunched in stencilled black at the far left of a near-empty composition; across a bare grey horizon, a dark, scribbled burst disrupts the calm. Pared to white, grey and black, the print subverts the placid English seaside scene with Banksy's trademark unease and economy. Numbered and blind-stamped, this early screenprint nods to the artist's home region around Weston-super-Mare. Spare, melancholic and quietly subversive, it captures the wit and social edge that made Banksy a global phenomenon, a desirable early work for the discerning collector.
Western Super Mare, 2003
form
Medium
Size
35 x 100 cm
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Details
Artist
Styles
Screenprint in colours. Unsigned, numbered, and blind stamped. // An elderly figure sits alone on a park bench, cane in hand, hunched in stencilled black at the far left of a near-empty composition; across a bare grey horizon, a dark, scribbled burst disrupts the calm. Pared to white, grey and black, the print subverts the placid English seaside scene with Banksy's trademark unease and economy. Numbered and blind-stamped, this early screenprint nods to the artist's home region around Weston-super-Mare. Spare, melancholic and quietly subversive, it captures the wit and social edge that made Banksy a global phenomenon, a desirable early work for the discerning collector.
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What is new figuration?
Neo-Figurative Art is a collective term that refers to the revival of figurative art in America and Europe during the 1960s, following a period dominated by abstraction. Michel Ragon, a French art critic, argued that this resurgence of figuration occurred during a critical time of social and political upheaval in both regions.
