
Screenprint in colours on paper Unsigned, stamped by artist’s estate. Hand-numbered with Banksy’s stamp.
'Jack & Jill (Unsigned)' by Banksy is a screen-print from 2005, measuring 50 × 70 cm, printed on a flat sky-blue ground. Two children — a boy in shorts and a girl in a polka-dot skirt carrying a small basket — run hand-in-hand wearing black body armour labelled 'POLICE' in yellow. The image borrows the wholesome visual language of mid-century children's illustration and grafts onto it the hardware of riot control, producing a collision that is impossible to misread. Banksy's stencil-derived print technique — tight colour separations, bold outlines, limited palette — translates directly from his street practice into the limited-edition format, preserving the flat graphic punch of public wall work. The title references the nursery rhyme, sharpening the contrast between childhood innocence and institutional authority that runs through much of his output from this period.
Jack & Jill (Unsigned), 2005
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Screenprint in colours on paper Unsigned, stamped by artist’s estate. Hand-numbered with Banksy’s stamp.
'Jack & Jill (Unsigned)' by Banksy is a screen-print from 2005, measuring 50 × 70 cm, printed on a flat sky-blue ground. Two children — a boy in shorts and a girl in a polka-dot skirt carrying a small basket — run hand-in-hand wearing black body armour labelled 'POLICE' in yellow. The image borrows the wholesome visual language of mid-century children's illustration and grafts onto it the hardware of riot control, producing a collision that is impossible to misread. Banksy's stencil-derived print technique — tight colour separations, bold outlines, limited palette — translates directly from his street practice into the limited-edition format, preserving the flat graphic punch of public wall work. The title references the nursery rhyme, sharpening the contrast between childhood innocence and institutional authority that runs through much of his output from this period.
What is Cynical Realism?
Cynical Realism is a term first used in 1992 by art critic Li Xianting to describe a group of Beijing artists who created satirical social realist paintings. The group aimed to depict the psychological turmoil experienced in China as the country grappled with new political ideologies.

Banksy
Jack & Jill (Unsigned), 2005
50 x 70 cm






































