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Screenprint in colours on wove paper. Hand-signed and numbered. // A stencilled Madonna stoops in the pose of countless old masters, halo ringed in fine line, hood and gown rendered in solid black, drips of paint streaming down both her and the child she cradles. Yet the baby drinks not from a bottle of milk but from a yellow vessel marked with the unmistakable skull and crossbones. Hand-signed and numbered, this 2003 screenprint on wove paper is among the most provocative and most collected of Banksy's early prints — a defining attack on religious iconography from the world's most famous anonymous street artist.
Toxic Mary, 2003
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70 x 50 cm
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Details
Artist
Styles
Screenprint in colours on wove paper. Hand-signed and numbered. // A stencilled Madonna stoops in the pose of countless old masters, halo ringed in fine line, hood and gown rendered in solid black, drips of paint streaming down both her and the child she cradles. Yet the baby drinks not from a bottle of milk but from a yellow vessel marked with the unmistakable skull and crossbones. Hand-signed and numbered, this 2003 screenprint on wove paper is among the most provocative and most collected of Banksy's early prints — a defining attack on religious iconography from the world's most famous anonymous street artist.
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What is site specific art?
Site-Specific Art is a form of artwork created to exist in a particular location, with the artist considering the site as an integral part of the creative process. Robert Irwin was a key figure in promoting this art form in California. Site-Specific Art emerged as a reaction against modernist objects, which were often portable, commodified, and confined to museum spaces. In contrast, Site-Specific Art is inherently tied to its location, challenging the traditional notions of art as a transportable and marketable commodity.
