Details
Artist
Styles
Digital pigment print. Signed and numbered on the front. // A dense, almost velvet black field opens onto a pale vertical aperture at the centre of the sheet; within it, the silhouette of a single human figure stands with its back to us, head haloed by a small bright opening above. The body becomes architecture and the architecture becomes body — Gormley's life-long subject. Issued as a fine digital pigment print and hand-signed and numbered on the front, Room offers his sculptural vocabulary at the intimate scale of a print. A serious, contemplative piece for collectors of one of Britain's most important living sculptors.
Room, 2008
form
Medium
Size
28 x 21 cm
- Inches
- Centimeters
Edition
Range
- USD
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- GBP
Details
Artist
Styles
Digital pigment print. Signed and numbered on the front. // A dense, almost velvet black field opens onto a pale vertical aperture at the centre of the sheet; within it, the silhouette of a single human figure stands with its back to us, head haloed by a small bright opening above. The body becomes architecture and the architecture becomes body — Gormley's life-long subject. Issued as a fine digital pigment print and hand-signed and numbered on the front, Room offers his sculptural vocabulary at the intimate scale of a print. A serious, contemplative piece for collectors of one of Britain's most important living sculptors.
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What is new British Sculpture?
New British Sculpture is the name referring to the work produced by a group of sculptors, installation artists, and other creators who exhibited together in London during the 1980s. This group included artists like Richard Deacon, Richard Wentworth, and Tony Cragg. Tim Woods helped define this movement by identifying four major themes: the blending of kitsch and pop culture, the use of UK urban waste in a bricolage style, the assignment of new meanings to everyday objects, and a playful approach using wit and humor.
