Sam Francis

Untitled, 1984

106.7 X 73 inch

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Antony GORMLEY | Insiders No7 | Mixed Media, 1998 — available on Composition Gallery

Mixed media on paper. Signed, titled, dated and numbered in pencil verso. From the iconic Insiders series. // A striking mixed media on paper from Antony Gormley's seminal Insiders series, this work presents a dark, densely layered silhouette of the human body that appears to emerge from — or dissolve into — the surface of the sheet. The figure is at once monumental and vulnerable, radiating the existential weight that characterises Gormley's exploration of the body as a site of experience. Signed, titled, dated and numbered verso, from the intimate edition of just 14, this is a rare and compelling example of the sculptor's work on paper.

Artwork Copyright © Antony Gormley

Insiders No7, 1998

form

Medium

Edition

Mixed media on paper. Signed, titled, dated and numbered in pencil verso. From the iconic Insiders series. // A striking mixed media on paper from Antony Gormley's seminal Insiders series, this work presents a dark, densely layered silhouette of the human body that appears to emerge from — or dissolve into — the surface of the sheet. The figure is at once monumental and vulnerable, radiating the existential weight that characterises Gormley's exploration of the body as a site of experience. Signed, titled, dated and numbered verso, from the intimate edition of just 14, this is a rare and compelling example of the sculptor's work on paper.

Artwork Copyright © Antony Gormley

Antony Gormley

From The Cave, 2010

Limited Edition Print

Mixed Media

GBP 3,500 - 4,500

Antony Gormley

Insiders No7, 1998

Painting

Mixed Media

GBP 19,500 - 25,000

Antony Gormley

Hands, 2005

Limited Edition Print

Lithograph

GBP 1,550

Antony Gormley

Free, 2019

Limited Edition Print

Lithograph

Currently Not Available

Antony Gormley

Matrix X, 2016

Limited Edition Print

Aquatint

Currently Not Available

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What is new British Sculpture?

New British Sculpture is the name referring to the work produced by a group of sculptors, installation artists, and other creators who exhibited together in London during the 1980s. This group included artists like Richard Deacon, Richard Wentworth, and Tony Cragg. Tim Woods helped define this movement by identifying four major themes: the blending of kitsch and pop culture, the use of UK urban waste in a bricolage style, the assignment of new meanings to everyday objects, and a playful approach using wit and humor.

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