Ann Veronica Janssens – Untitled(Tentoonstelling tussenin / in-between), 1998 – Installation
Ann Veronica Janssens – Untitled(Tentoonstelling tussenin / in-between), 1998 – Installation
Ann Veronica Janssens – Untitled(Tentoonstelling tussenin / in-between), 1998 – Installation
Ann Veronica Janssens – Untitled(Tentoonstelling tussenin / in-between), 1998 – Installation
Sheet of thick mica, to be fixed by 4 nails in the corner of 2 walls, 'to catch the light.' Certificate of authenticity (MDD) with installation instructions, signature, date, and number in pencil by hand. - Red circle on this image to visualize the transparent sheet of mica, in the corner of 2 walls.
Ann Veronica Janssens’ Untitled (Tentoonstelling tussenin / in-between) (1998) is a conceptual wall-based work consisting of a transparent sheet of thick mica installed in the corner between two walls. Nearly invisible except through reflections and subtle shifts of light, the piece transforms architectural space into a perceptual experience. Janssens is known for works that explore immateriality, sensory perception, and the instability of visual awareness through light, transparency, and atmosphere. Here, the mica surface functions less as an object than as a catalyst for changing reflections and spatial awareness. The work invites slow observation, encouraging viewers to become conscious of light, movement, and the surrounding environment. Its minimal presence reflects Janssens’ ongoing investigation into the boundaries between visibility and disappearance.
Artwork Copyright © Ann Veronica Janssens
Ann Veronica Janssens (Belgium, 1956) is a Belgian contemporary visual artist based in Brussels. Her work is an invitation to ephemeral experiences, which are at times delirious or vertiginous, using sculpture materials with light and space to give the viewer an outer world experience with their senses.
Artwork Copyright © Ann Veronica Janssens

Untitled(Tentoonstelling tussenin / in-between), 1998

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Sheet of thick mica, to be fixed by 4 nails in the corner of 2 walls, 'to catch the light.' Certificate of authenticity (MDD) with installation instructions, signature, date, and number in pencil by hand. - Red circle on this image to visualize the transparent sheet of mica, in the corner of 2 walls.
Ann Veronica Janssens’ Untitled (Tentoonstelling tussenin / in-between) (1998) is a conceptual wall-based work consisting of a transparent sheet of thick mica installed in the corner between two walls. Nearly invisible except through reflections and subtle shifts of light, the piece transforms architectural space into a perceptual experience. Janssens is known for works that explore immateriality, sensory perception, and the instability of visual awareness through light, transparency, and atmosphere. Here, the mica surface functions less as an object than as a catalyst for changing reflections and spatial awareness. The work invites slow observation, encouraging viewers to become conscious of light, movement, and the surrounding environment. Its minimal presence reflects Janssens’ ongoing investigation into the boundaries between visibility and disappearance.
Artwork Copyright © Ann Veronica Janssens
Ann Veronica Janssens (Belgium, 1956) is a Belgian contemporary visual artist based in Brussels. Her work is an invitation to ephemeral experiences, which are at times delirious or vertiginous, using sculpture materials with light and space to give the viewer an outer world experience with their senses.
Artwork Copyright © Ann Veronica Janssens
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Ann Veronica Janssens – Untitled(Tentoonstelling tussenin / in-between), 1998 – Installation

Ann Veronica Janssens

Untitled(Tentoonstelling tussenin / in-between), 1998

Sculpture / Object

Installation

EUR 1,750

Ann Veronica Janssens – Lightfilters, 2013 – Digital Print on paper

Ann Veronica Janssens

Lightfilters, 2013

Limited Edition Print

Digital Print on paper

EUR 1,600

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What is Postminimalism?

What is Postminimalism?

Postminimalism refers to a range of art styles that emerged in the 1960s, following the Minimalism movement. While Minimalism focused on simplicity and impersonality, Postminimalist artists retained some elements of Minimalism but also explored greater expressiveness, experimenting with new materials and techniques. This movement includes various forms of art such as conceptual art, body art, performance art, process art, and site-specific works. Postminimalism represents a shift toward more personal, tactile, and process-oriented approaches to art-making.

Est. 2005 — twenty years of collecting, online.