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Edition of PrintersProof2 + 1AP - Hand Printed Stone Lithograph - Hand-signed by artist - In excellent condition // This untitled lithograph by Allan D'Arcangelo, created in 1966, is a minimalist and surreal exploration of form and perspective. The central element is a large, white geometric square that resembles a highway sign or road barrier, set against a dark roadway that recedes into the distance. The scene is framed by a sky of vibrant blue with blurred trees or landscape elements in the background, suggesting motion or a fleeting moment. A red triangular shape, partially obscured and cutting into the white square, adds a striking contrast and focal point to the composition. D'Arcangelo’s work often explores themes of American highways and landscapes, transforming familiar road signs into symbolic, almost abstract forms. This lithograph captures a sense of stillness within movement, invoking a meditative reflection on travel and the open road.
Title Unknown, 1966
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66 x 66 cm
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Details
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Edition of PrintersProof2 + 1AP - Hand Printed Stone Lithograph - Hand-signed by artist - In excellent condition // This untitled lithograph by Allan D'Arcangelo, created in 1966, is a minimalist and surreal exploration of form and perspective. The central element is a large, white geometric square that resembles a highway sign or road barrier, set against a dark roadway that recedes into the distance. The scene is framed by a sky of vibrant blue with blurred trees or landscape elements in the background, suggesting motion or a fleeting moment. A red triangular shape, partially obscured and cutting into the white square, adds a striking contrast and focal point to the composition. D'Arcangelo’s work often explores themes of American highways and landscapes, transforming familiar road signs into symbolic, almost abstract forms. This lithograph captures a sense of stillness within movement, invoking a meditative reflection on travel and the open road.
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What is appropriation?
Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.
