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Serigraph, signed and numbered in pencil // The Holy Family by Allan D'Arcangelo is a 1980 serigraph that juxtaposes minimalistic road imagery with a hint of symbolic interpretation. The artwork presents an open road stretching towards a distant horizon, framed by silhouettes of trees under a clear blue sky. A “YIELD” sign is prominently displayed in the lower foreground, adding a note of caution. Above the road, a rearview mirror hangs, reflecting the road behind and featuring a pair of dangling air fresheners shaped like hearts—a subtle, perhaps ironic reference to the concept of The Holy Family. D'Arcangelo’s use of sharp, clean lines and a simplified color palette lends the piece a calm, meditative quality, while also alluding to the themes of journey, nostalgia, and reflection. The interplay between the road as a symbol of life’s path and the invocation of familial love or guidance invites viewers to consider the delicate balance between direction and caution in their own lives.
The Holy Famil, 1980
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66 x 91.4 cm
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Details
Artist
Styles
Serigraph, signed and numbered in pencil // The Holy Family by Allan D'Arcangelo is a 1980 serigraph that juxtaposes minimalistic road imagery with a hint of symbolic interpretation. The artwork presents an open road stretching towards a distant horizon, framed by silhouettes of trees under a clear blue sky. A “YIELD” sign is prominently displayed in the lower foreground, adding a note of caution. Above the road, a rearview mirror hangs, reflecting the road behind and featuring a pair of dangling air fresheners shaped like hearts—a subtle, perhaps ironic reference to the concept of The Holy Family. D'Arcangelo’s use of sharp, clean lines and a simplified color palette lends the piece a calm, meditative quality, while also alluding to the themes of journey, nostalgia, and reflection. The interplay between the road as a symbol of life’s path and the invocation of familial love or guidance invites viewers to consider the delicate balance between direction and caution in their own lives.
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Pop Art is an art movement that began in Britain in 1955 and in the late 1950s in the U.S. It challenged traditional fine arts by incorporating imagery from popular culture, such as news, advertising, and comic books. Pop Art often isolates and recontextualizes materials, combining them with unrelated elements. The movement is more about the attitudes and ideas that inspired it than the specific art itself. Pop Art is seen as a reaction against the dominant ideas of Abstract Expressionism, bringing everyday consumer culture into the realm of fine art.
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