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// Alfons Borrell's Illes-2 (1997) is an etching that embodies his minimalist approach to landscape abstraction. The composition features a rectangular green form, bordered by a thin orange strip, set against a textured blue and purple background. The simplicity of the shapes and the bold use of color create a sense of calm and balance. The green shape resembles an island, floating within the vibrant hues, inviting interpretations of nature’s tranquility and serenity. Borrell’s use of minimal elements, combined with a strong contrast of colors, highlights his focus on the emotional and visual impact of abstraction. This limited edition print captures the meditative essence characteristic of Borrell's work.
Illes-2, 1997
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Medium
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56 x 76 cm
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Details
Artist
Styles
// Alfons Borrell's Illes-2 (1997) is an etching that embodies his minimalist approach to landscape abstraction. The composition features a rectangular green form, bordered by a thin orange strip, set against a textured blue and purple background. The simplicity of the shapes and the bold use of color create a sense of calm and balance. The green shape resembles an island, floating within the vibrant hues, inviting interpretations of nature’s tranquility and serenity. Borrell’s use of minimal elements, combined with a strong contrast of colors, highlights his focus on the emotional and visual impact of abstraction. This limited edition print captures the meditative essence characteristic of Borrell's work.
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Alfons Borrell
Untitled (Violet Stripes And Thin Lines), 2008
Drawing / Watercolor
Mixed Media
EUR 2,350
Alfons Borrell
Untitled (Green Block And Black Strokes), 1988
Drawing / Watercolor
Mixed Media
Inquire For Price
Alfons Borrell
Untitled (Orange, Green, And Shaded Form), 1987
Drawing / Watercolor
Mixed Media
Inquire For Price
What is Hard Edge Art?
Hard Edge art is a style of abstract painting that became popular in the 1960s. It features areas of color separated by crisp, sharp edges that are painted with geometric precision. The term hard-edge painting was coined by art critic Jules Langsner to describe this approach, which contrasts with the softer, more fluid forms of other abstract styles.
