Sam Francis

Untitled, 1984

106.7 X 73 inch

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Ed Ruscha Here and Now lithograph with red text and blue shadow bands inside a compass-labeled frame

Details

Kunstenaar

Stijlen

3-kleurenlithografie op Kohler HMP-papier. Gesigneerd, genummerd en gedateerd op de voorzijde. Gedrukt en uitgegeven door Gemini G.E.L. Ed Ruscha’s Here and Now is een lithografie in drie kleuren uit 2009 op Kohler HMP-papier waarin taal beeld wordt. De woorden HERE / AND / NOW staan in grote rode kapitalen, doorsneden door zachte blauwe, gespoten banen, terwijl het omringende kader is voorzien van de windrichtingen. Het werk werd gedrukt en uitgegeven door Gemini G.E.L. in een oplage van 75 plus 20 artist’s proofs en laat Ruscha’s blijvende interesse zien in woorden als visuele vorm én cultureel teken. De combinatie van precisie en wazige sfeer geeft de zin een dubbele lading: direct en aanwezig, maar ook licht onvast, alsof plaats en tijd voortdurend verschuiven.

Artwork Copyright © Ed Ruscha

Ed Ruscha

Here and Now, 2009

kunstvorm

Medium

Afmeting

43.8 x 59.1   cm
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  • Centimeters

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Prijs

Details

Kunstenaar

Stijlen

3-kleurenlithografie op Kohler HMP-papier. Gesigneerd, genummerd en gedateerd op de voorzijde. Gedrukt en uitgegeven door Gemini G.E.L. Ed Ruscha’s Here and Now is een lithografie in drie kleuren uit 2009 op Kohler HMP-papier waarin taal beeld wordt. De woorden HERE / AND / NOW staan in grote rode kapitalen, doorsneden door zachte blauwe, gespoten banen, terwijl het omringende kader is voorzien van de windrichtingen. Het werk werd gedrukt en uitgegeven door Gemini G.E.L. in een oplage van 75 plus 20 artist’s proofs en laat Ruscha’s blijvende interesse zien in woorden als visuele vorm én cultureel teken. De combinatie van precisie en wazige sfeer geeft de zin een dubbele lading: direct en aanwezig, maar ook licht onvast, alsof plaats en tijd voortdurend verschuiven.

Artwork Copyright © Ed Ruscha
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Sponge Puddle, 2015

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Lithografie

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Ed Ruscha's Zoot Suit, etching in red with vertically stretched text reading Zoot Suit across two panels, minimalist typography style.

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Ed RUSCHA | Insect Slant (Ants) (from Reality & Paradoxes) | Mixed Media, 1973 — available on Composition Gallery

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Insect Slant (Ants) (from Reality & Paradoxes), 1973

Editie / Print

Gemengde Techniek.

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Ed Ruscha Anchor in the Sand lithograph with blurred anchor silhouette on warm grainy background and Paris Review text edges

Ed Ruscha

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Editie / Print

Lithografie

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Ed Ruscha Red Ants from the Insects Portfolio screenprint with dense red ants scattered on pale paper

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Editie / Print

Zeefdruk

USD 3,700

Ed Ruscha Pearl Dust Combination screenprint with pearl dust showing scattered insects on shimmering paper

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Pearl Dust Combination From The Insects Portfolio, 1972

Editie / Print

Zeefdruk

USD 3,950

Ed Ruscha Flies from the Insects Portfolio screenprint on wood veneer with scattered flies on pale grain surface

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Flies From The Insects Portfolio, 1972

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Zeefdruk

USD 5,000

Ed Ruscha Black Ants from the Insects Portfolio screenprint on wood veneer with scattered black ants on pale grain

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Black Ants From The Insects Portfolio, 1972

Editie / Print

Zeefdruk

USD 5,000

Ed Ruscha Cockroaches from the Insects Portfolio screen print with scattered cockroaches on pale wood grain surface

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Cockroaches From The Insects Portfolio, 1972

Editie / Print

Zeefdruk

USD 5,000

Ed Ruscha Swarm of Red Ants screenprint showing hundreds of red ants spiraling outward on a beige background.

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Swarm Of Red Ants From The Insects Portfolio, 1972

Editie / Print

Zeefdruk

USD 3,900

Ed Ruscha He Up and Went Downtown porcelain plate with sepia center and bold black text encircling edge, signed in plate.

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GBP 2,350

Ed Ruscha Actual Size print with bold yellow SPAM logo and can trailing yellow streak on white speckled background.

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Actual Size, 2024

Editie / Print

Gemengde Techniek.

GBP 2,000

Ed RUSCHA | Zoot Soot | Mixed Media available for sale on composition gallery

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Zoot Soot, 2013

Editie / Print

Gemengde Techniek.

USD 12,000

Ed Ruscha Boiling Blood Fly lithograph with red-orange field, faint bubbles, and small fly in lower right corner

Ed Ruscha

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Editie / Print

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Ed Ruscha Sea of Desire lithograph with orange gradient, black diagonal bars, and faint text overlay in geometric font

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Editie / Print

Lithografie

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Ed Ruscha Note screenprint on sandpaper showing a dissolving black musical note with textured smudge effect to the right.

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Editie / Print

Zeefdruk

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Ed RUSCHA | Main Street | Minimalist Lithograph

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Editie / Print

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Ed Ruscha Gal Chews Same Piece of Gum bronze sculpture with stenciled text and dark patina on rectangular base.

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Sculptuur / Object

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Ed Ruscha Sunliner #7 etching with photorealistic glass of water on a textured dark gray striated background.

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Editie / Print

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USD 4,690

Ed Ruscha Sin – Without lithograph showing word SIN over black-and-white cloudscape with dramatic lighting and contrast

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Editie / Print

Lithografie

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Ed Ruscha's GOD, 2010 LightJet digital photograph, metallic oval-shaped form with smooth surface, signed edition of 50.

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Editie / Print

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EUR 6,000

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Editie / Print

Gemengde Techniek.

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Ed Ruscha's Cash for Tolls 1, 2014 mixographia print, features rust-textured surface with bold text in block letters, mimicking a corroded metal sign.

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USD 20,000 - 25,000

Ed Ruscha's Cash for Tolls 2, 2014 mixographia print, mimics a rusted metal sign with bold text reading CASH FOR TOOLS embossed in block letters.

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Editie / Print

Gemengde Techniek.

USD 20,000 - 25,000

Ed Ruscha's Dead End II, 2014 mixographia print, mimics a rusted street sign with bold block letters spelling DEAD END, emphasizing texture and decay.

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Editie / Print

Gemengde Techniek.

USD 20,000 - 25,000

Ed Ruscha's Dead End III, 2014 mixographia print, simulates a rusted metal sign with bold block letters spelling DEAD END and textured, weathered surface details.

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Editie / Print

Gemengde Techniek.

USD 20,000 - 25,000

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Editie / Print

Gemengde Techniek.

USD 20,000 - 25,000

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Editie / Print

Lithografie

USD 20,000 - 30,000

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Editie / Print

Lithografie

USD 14,300

Ed Ruscha Ex Libris lithograph, bold white text framed by ornate black design on a red-to-blue gradient background.

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Editie / Print

Lithografie

USD 6,100

Ed Ruscha Open Book With Worm Holes lithograph showing an open book with scattered small holes across white pages, emphasizing minimalism.

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Editie / Print

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Editie / Print

Gemengde Techniek.

Contacteer Ons

Ed Ruscha’s Metro Mattress #4, mixed-media print of two worn mattresses stacked on each other with stains and frayed edges.

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Editie / Print

Gemengde Techniek.

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Ed Ruscha, Flies, serigraph, wood-textured background with scattered small flies, minimalistic insect-focused composition.

Ed Ruscha

Flies, 1972

Editie / Print

Serigrafie

Contacteer Ons

Ed RUSCHA | That Was Then, This Is Now | Lithograph, 2014 — available on Composition Gallery

Ed Ruscha

That Was Then, This Is Now, 2014

Editie / Print

Lithografie

Momenteel Niet Beschikbaar

Ed Ruscha's Standard Station, screen print, depicting a stylized gas station with red, white, and blue colors against an orange-blue gradient sky

Ed Ruscha

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Editie / Print

Zeefdruk

Momenteel Niet Beschikbaar

Ed Ruscha's Hollywood, screen print, features a sunset with the Hollywood sign fading into the horizon against an orange sky.

Ed Ruscha

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Editie / Print

Zeefdruk

Momenteel Niet Beschikbaar

Ed Ruscha's Ghost Station, relief print on Mixografia paper, minimal white depiction of a gas station with embossed lines.

Ed Ruscha

Ghost Station, 2011

Editie / Print

Reliëf Print

Momenteel Niet Beschikbaar

Ed Ruscha's Safe and Effective Medication, lithograph, displays bold text on a cloudy background, contrasting assurance with ominous imagery.

Ed Ruscha

Safe And Effective Medication, 2001

Editie / Print

Lithografie

Momenteel Niet Beschikbaar

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Wat is Nieuwe topografie?
Artwork by Bernd & Hilla Becher

Wat is Nieuwe topografie?

New Topographics is een term die in 1975 werd bedacht door curator William Jenkins om een groep fotografen te beschrijven wiens werk zich richtte op formele zwart-witbeelden van stedelijke en industriële landschappen. Jenkins beschreef hun esthetiek aanvankelijk als banaal, maar de fotografen zelf beweerden dat hun composities net zo belangrijk waren als die van natuurlijke landschappen, waarbij de nadruk lag op de schoonheid van alledaagse, door de mens gemaakte omgevingen.

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